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September 12 Frankfurt Auto Show
Torsten Silz/Agence France-Presse/Getty Images
The Mercedes-Benz F700 concept car is a rolling test bed of new environmental technologies, including the DiesOtto engine, which produces 238 horsepower and 295 foot-pounds of torque from just 1.8 liters. FRANKFURT European automakers, stung by criticisms from environmentalists and government regulators that they are late to the green party, will be using the 2007 Frankfurt motor show to showcase everything in their alternative fuel and powertrain arsenals. The biennial show, the 62nd Internationalen Automobil-Ausstellungen Cars, will be held at the mammoth CongressCenter Messe Frankfurt convention center from Thursday through Sept. 23. Press preview days began Monday night and continue through Wednesday. Angela Merkel, the German chancellor, will open the show to the public on Thursday. Organizers boast the show will be “the leading international fair for sustainable mobility,” and millions of euros will be spent on lavish displays touting environmentally responsible motoring. The show, spread throughout 2.5 million square feet of exhibit area, is always brutal on the podiatric health of journalists, some 10,000 of whom have reportedly received credentials. They will have to hustle to see how many of the 88 world premieres they can attend; perfect attendance is impossible because with so many introductions packed into barely two press days, multiple introductions are scheduled simultaneously, at widely disparate locations. To pound home the sustainability theme, press shuttles are various alternative fuel and propulsion vehicles. Journalists are also being offered “eco-training” classes to learn economical driving techniques. A BioFuels Bar has information about the advantages and possible uses of biofuels and also dispenses biofuel-themed drinks. And the physically fit can hike an “Environmental Trail” around the convention center (a complex of buildings so sprawling it is served by three train stations). The stars of the show, not surprisingly considering the host country, figure to be the German automakers. Mercedes-Benz is planning to unveil as many as 18 products, including Bluetec diesels and hybrids with both gasoline and diesel engines. The centerpiece of the newly emancipated DaimlerMinusChrysler is the F700 concept, an S-Class-sized vehicle with five doors and 40 miles per gallon economy. The F700 is a rolling test bed of new environmental technologies, including the DiesOtto engine. This four-cylinder gasoline engine, pronounced “Dees-Otto” (not De Soto), produces 238 horsepower and 295 foot-pounds of torque from just 1.8 liters , using a new technology known as homogenous charge compression ignition. The engine has two ignition modes — compression, under light loads, and spark at other times — to boost fuel mileage. The company said the DiesOtto engine has the strong low-end torque and fuel savings of a diesel, but with emissions that are lower than a diesel. BMW is taking the wraps off a new X6 crossover, an X5-based S.U.V.-type vehicle, powered by a gasoline-electric hybrid engine. The “sporty, coupe-like” X6, to be built in Spartanburg, S.C., seats four and has five doors. Of interest here to enthusiasts is the much anticipated 1-Series coupe. The 1-Series offerings, the 128i and 135i, are throwbacks to the nimble, quick, shoebox-sized BMWs of 30 years ago. With the same 300-horsepower turbo engine that is in some 3- and 5-Series models, the 135i should be a rocket, perhaps even “a modern BMW 2002”, as Car and Driver magazine gushes. Another important newcomer is the Volkswagen City Expert concept, which could be VW’s most important new vehicle since the New Beetle. VW will also show the production-ready Tiguan, a smaller Touareg-themed S.U.V., and BlueTec diesel models. Audi is displaying a new line of diesel engines that the company said have the “cleanest diesel technology in the world.” The turbodiesel powerplants employ a fuel-saving, hybrid-like stop-start system and a chemical injection system to reduce nitrogen emissions. An all-new Audi A4 sedan is also making its debut, as is the A8, the brand’s flagship sedan that has had a facelift. Not to be outdone by all this emphasis from German automakers on green technology, even Porsche is bringing out a gasoline-electric hybrid version of its Cayenne S.U.V. here. Relax, Porsche-philes, also on tap is the new 911 GT2, the most powerful street-legal 911 ever. General Motors’s Opel division is in fact headquartered in Frankfurt and is introducing here an Agila minivan and a hybrid concept that will have G.M.’s E-Flex propulsion system (first shown on the Chevrolet Volt concept at the 2007 Detroit auto show). In this variation, an Opel Astra-like vehicle is equipped with the electric motors and a turbodiesel engine. Since Saturn seems to get everything Opel brings out, is this related to the Saturn plug-in hybrid that was announced at the ’06 L.A. Auto Show? Hmmm. American manufacturers certainly have increased their presence here in recent years. G.M. is expanding its Euro-only Cadillac BLS line with an “estate” or station wagon version of the sedan. The Swedish-built car is essentially a Saab 9-3 wagon in a Caddy-lite disguise. Also showing here: A Chevrolet Aveo hatchback. No crowding, please. Over at Saab, there’s a hot new Turbo X to ogle. Dodge continues to expand its offerings here with a new Journey crossover that it will sell in Europe. The Journey is built on a stretched Avenger platform and will replace the short wheelbase Chrysler Voyager minivan sold here. Ford, in the midst of a product realignment that will bring many European versions of its cars to America, is showing two new concepts here. The Verve is supposed to be a sneak preview of the upcoming Fiesta subcompact, due in Europe next year and North America and Asia a year or two later. The Kuga concept is a Focus-based crossover that is nearing production form. Jaguar, which Ford has on the block, is bringing out the latest vehicle that is supposed to save the company (after previous models failed to do so): the new XF sedan. Shown at Detroit as the sleek C-XF concept, the XF has been plumped up a bit — so people will actually fit in it — and equipped with a high-horsepower V-8. Can the XF make people forget the S-Type? What couldn’t? Aston Martin, a company also already sold by Ford, is showing that there is indeed life after Ford, with the unveiling of its DBS flagship. Rounding out the Brit contingent here is the new Mini Clubman, which is 10-inches longer, with three more doors, than a Mini. Alas, no wood-trimmed “shooting brake” wagon. Other European manufacturers, which don’t sell in the United States, such as Peugeot, Renault, Fiat, Skoda, are also having important debuts here. Of special note is the too-cute Fiat 500. Asian manufacturers have a solid lineup of Frankfurt introductions, too, including the Mazda6, Mitsubishi’s Concept-cX, Toyota’s unfortunately named Endo microcar, Nissan’s Mixim electric car, and a Honda Accord wagon that may be a design precursor for the next Acura TL. Hyundai has a Veloster coupe to show here, and Kia has a Sports Coupe Concept. Chinese automakers, two of which are already selling cars in Europe, also have displays. September 08 Clarkson's cabin feverTopGear.com ![]()
'Do I have any furniture made from polished wood veneer? No'
Why are car interiors are so dull when we spend large parts of our lives in them? Time to call in the decorators, says JC. Kate Gompertz is a friend of mine. And the reason she's a friend of mine is that she does not mince her words. If she finds someone's new hairstyle ridiculous, she will say so. If she doesn't like the look of your baby, she won't say it has nice hair, or lovely clothes. She'll just say it's ugly. Anyway, despite all this, I offered to give her a lift to a party. I arrived on time, with a driver, in a large Audi S8. I was dressed correctly, in black tie, with black shoes. My hair was cut. I had even had a shave. Kate would be stumped, I thought. I was wrong. We hadn't even got out of her drive before she piped up from the back. "What an absolutely ghastly car," she said. Now, I'm sorry, but no one has ever described the inside of an Audi S8 as 'ghastly'. It's a symphony of subtle lighting, with door handles that blend beautifully into the dash in an elegant, but forceful curve. And at night, the myriad twinkling red lights put you in mind of the straights that separate Hong Kong from Kowloon at dusk. It is, in fact, a magnificent interior. So, what was her problem? 'There is not one single thing in the Audi S8, or indeed any large car, that I would have in my house' "Well, it's all grey," she explained. Do you know what? She had a point. It is all grey. It's as grey as the inside of a photocopier salesman's shoe. It's as grey as the colour chart in a Dell factory. It's as grey as John Major's underpants on a misty Scottish morning. And so once again, I think it's time for us all to question every single aspect of what we see as the norm in car interior design. There is not one single thing in the Audi S8, or indeed any large car, that I would have in my house. Do I have grey leather furniture? No, of course I don't, because I have better things to do than traipse around DFS negotiating Ee-Zee-finance deals. Do I have any furniture made from polished wood veneer? No, and nor have I felt inclined to line even a small part of my walls with fake carbon fibre. When you do this; when you compare everything in your house with everything in your car, you start to realise that, actually, everything in your car is shit. Who says that sporty models must look like the marketing director of Lynx aftershave's squash racquet? Who says that men's wash bags are the starting point for anything? And why do you want the seats to be made out of leather when the only people who have leather furniture in their houses are riff-raff? Not that long ago, on our telly show, I attemptedto demonstrate all of this by ripping everything from the inside of a Mercedes S-Class and replacing it with stuff that you might actually find in your house. I levelled off the floor with a layer of cement and then added some nice York stone flags. I then plastered the inside of the doors, and fitted a wood burning stove in the back, instead of a heater. Finally, I replaced three of the seats with some lovely wheel-backed kitchen chairs, and one with a cosy little wingback that I found in a flea market in the Cotswolds. Of course, m'colleagues, May and Hammond, ridiculed my efforts saying that the flooring had added 4.2 tons to the car's weight and, as a result, it got from 0 to 60 in 32.5 seconds. They were also disappointed to note that I hadn't actually fastened any of the seats in place. Or any ofthe furniture. So when they went round a corner, everything - them included - fell over. Some of the logs from the stove also fell out, I admit, slightly burning May, who made an awful fuss. 'Could someone explain why cars have carpets. They get dirty and damp, and then they smell' Behind their mocking, however, I had made a serious point. That it really was possible to make a car interior nice. So nice, that, for once, you won't care about taking half-a-minute to reach 60 or a lack of ability in corners. What's the rush to get home? You're already there! Even at a simple level, could someone explain why cars have carpets. They get dirty and damp, and then they smell. So you are obliged to fit floor mats, which removes the point of having carpets in the first place. There are many alternatives, some of which weigh even less than York stone. What about sisal matting, for example? Or a nice Bokhara rug? Or, if you fancy something modern, it is now possible to buy tiles which are made from two pieces of foot-square clear plastic. In the middle of the sandwich is a splotch of ink - blue, red, purple, green: take your pick - which oozes about as you tread on it. It's fantastic and would look great in, say, an Audi TT. And seats? Why not fit those circular Seventies jobbies that were much favoured by girlfriends of Jason King? Then there is my biggest bug bear of them all. Plainly the people who design car interiors are so massively homosexual, they have no concept of the idea of 'children', and therefore absolutely no clue how 'children' like to pass the time. Small wonder so many of them choose to vomit when in the back of a car. There's nothing else to do. We remove their ability to play with the electric window switches with an override button in the front, and if we fit a DVD player, we're told we're spoiling them and that they'll grow up to be drug addicts. Right, well, how's this for an idea. Turn the back of the car into a ball pit. Not only will this keep them amused for hours, but also, in a crash they will be completely safe, cushioned from the impact by a sea of brightly coloured plastic. And then there are the doors and the back of the front seats. Does all this have to be lined with leather or could it be finished in blackboard material? Or whiteboard? Or whatever you're supposed to call it these days? That way, they could run amok writing slogans about one another, and drawing penises, and you won't care, because it'll all rub off. At the other end of the scale of human evolution, we have old people. If you regularly transport your mother, or perhaps run elderly people to and from a whist drive, why not have super-absorbent seats, and drainage channels, which dispose of their effluent through the floor of the car? Team this with some flock wallpaper and they'd be very happy. 'Small wonder so many of them choose to vomit when in the back of a car. There's nothing else to do' There is no reason why you, as the customer, should not be able to choose precisely what sort of interior you want when buying the car. Children-friendly, Anne Hathaway, or wipe down. Or you could have something tasteful and cottagey in the front and whizzy and kid-like in the back. Maybe this is difficult to engineer on a production line, but there is no reason why some of the nation's hard-pressed interior designers should not set themselves up in business offering an aftermarket service. It must be wearisome doing houses and office blocks all day, choosing stones and fountains and talking endless crap to IT consultants about feng shui. So break out the ideas for a ball pit and I'll have our Volvo XC90 round at your place in a flash. Either that or maybe we could encourage car firms to employ at least one person in their interior design departments who has a little bit of taste, and a little bit of heterosexuality. September 02 mini clubmanFünf Türen, mal anders [Automobilrevue/raw] - Sie mögen das ja, bei Mini, das Zitieren der Vergangenheit. Auch für das dritte Modell der Mini-Reihe wurde tief in der Mottenkiste gegraben, und deshalb soll der Clubman, der auf der IAA in Frankfurt (13. bis 23. September) seine Premiere feiert, nun partout an die einstigen Mini-Kombis erinnern. Wir sehen allerdings so gut wie keine Gemeinsamkeiten ausser der zweigeteilten Hecktür, die allerdings nicht über die einst so wunderbare Holzumrahmung und die offen liegenden Scharniere verfügt, sondern jetzt aerodynamisch optimiert mit den C-Säulen verschmilzt. Rare Spezies So darf man sich dann auch fragen: Warum gerade Clubman? Im September 1960 war der erste Mini-Kombi als Austin Seven 850 Countryman sowie als Morris Mini Traveller Estate vorgestellt worden, erst ab 1970, als die Nomenklatur vereinheitlicht wurde, gab es dann den verständlicheren Mini Clubman. Doch wir wollen nicht pingelig sein. Der «neue» Clubman gehört zur raren Spezies der Kleinwagen-Kombis (Peugeot 207 SW ganz frisch, Skoda Fabia Combi auch ab Frankfurt), und weil bau- und grössenbedingt das Ladevolumen nicht die zentrale Rolle spielen kann (930L maximale Kapazität, bei hochgeklappter Hinterbank sind es gerade einmal 260 L), dürfen wir ihm hier, wohl ganz im Sinne von Mini, die Lifestyle-Etikette anhängen. Schick soll er sein, der Clubman, cool und begehrenswert. August 30 Behind the Wheel | 2008 Saturn Vue
2008 Saturn Vue By LAWRENCE ULRICH
THE English have an automotive lexicon all their own, including terms like “bonnet” for hood, “saloon” for sedan and, one of my favorites, “tickover” for idle. Another phrase, “cheap and cheerful” — mentally supply a chirpy British accent — describes a car that doesn’t cost much but is pleasant and enjoyable nonetheless. For most of Saturn’s 22-year history, cheap and cheerful described its cars to an English “T.” (Tea?) The prices were certainly cheap, and General Motors’ indie brand built its name on cheerful dealers who group-hugged customers at company homecomings, grilled them hot dogs in the parking lot and sold them cars with no nasty haggling. The cars themselves, plastic-skinned drones often inflicted by parents on unsuspecting progeny, were altogether less sunny. And when G.M. repaid Saturn’s early success by starving it of nutritious new products, the customers dried up as well. Now Saturn is making a comeback, but the cars aren’t really emanating from Detroit. There is a good reason that some of the new Saturns — the no-apologies Aura sedan, the new Vue crossover utility wagon and a crisp Astra compact yet to come — are easily the best-looking, best-driving cars ever to grace a Saturn dealership: they’re German. Specifically, they’re Opels, courtesy of G.M.’s Deutsche division. Sure, they’re wearing Saturn badges on their metal (no more plastic) lapels, and get a nip here and a tuck there from United States designers and engineers. But the Astra, Aura and Vue are near clones of the respective Opel Astra, Vectra and Antara models sold in Europe. The cultural exchange pays dividends for the Vue. It is one of the shapeliest compact crossovers, with a trendy sloping roof and a crisp, sporty profile. The lines especially popped in Sunburst Orange, which recalls the signature shade of the Range Rover Sport. (Less flattering were the Rover-style fake cooling vents on the sides). Like its main rivals — including the Honda CR-V, Toyota RAV4 and Hyundai Santa Fe — the Saturn is pitched at the general electorate, avoiding both macho bluster and cheek-pinching cuteness. Now, hold tight, because the ride gets confusing: The Vue offers three engines, two automatic transmissions and multiple trim levels, including a mild hybrid called the Green Line (available in November) and a sporty Red Line. The 2009 Vue, out next summer, will offer G.M.’s more robust two-mode hybrid system, promising a 45 percent improvement in fuel economy. Further in the future, G.M. plans to configure the Vue as a plug-in hybrid. The basic front-drive XE version employs a 2.4-liter 4-cylinder with 169 horsepower and a four-speed automatic. The XE with all-wheel drive gets a 222-horsepower 3.5-liter pushrod V-6 and six forward speeds. Finally, the XR and Red Line models get a 3.6-liter overhead-cam V-6 with variable valve timing and a whomping 257 horsepower — enough to challenge the burliest model in the class, the 269-horsepower RAV-4. A 3.5-liter Honda V-6 that was previously available in the Vue is no longer offered. I tested XR models with both front-wheel drive and the optional all-wheel-drive system, which adds $2,000 to the XR’s $24,895 base price. And the first thing to strike me was the appealing interior, a far cry from the spotty Saturn cabins of old. Not wanting to be a soft touch, I started feeling around for the usual telltale signs of G.M.’s attention-deficit disorder: ragged plastic edges, wobbly switches, mismatched textures. There were none. The leather-wrapped shifter felt tight and looked good. The parking brake pivoted with well-calibrated resistance and no ratchety noise. The rear cup holders slid from their cubby with lubricated ease. Could this really be a Saturn? The central touch screen with the navigation map is a dead ringer for those on Cadillacs. It’s a pricey option at $2,145, but it’s blessedly easy to read and operate. And the XR versions were stuffed with standard gear, including side- and head-curtain air bags, stability control, antilock brakes, 17-inch alloy wheels, a tire pressure monitor, active whiplash-preventing head restraints, foglamps, roof rails, the OnStar communications system and three free months of XM Satellite Radio. The leather-trimmed seats were notably well bolstered and sculptured, even in back. The front seats provoked one demerit: Longer-legged occupants may find the cushions too short and lacking in thigh support. While the Vue’s interior is stylish, it’s not especially space-efficient. The Vue carves out the least cargo space of its main rivals — whether behind the second row or with all the seats folded — thanks to that low-slung hatch and intrusive rear wheel wells. Both the RAV4 and CR-V can stow 30 percent more gear with the rear seats folded, and the RAV4 and Santa Fe manage to squeeze in toddler-size third rows. The Vue does feature a sliding rail system in the back that lets you adjust the cargo nets to hold items of different sizes. On the road, the Saturn felt solid, powerful and mostly pleasant. Appropriate for the Vue’s mainstream demographic, the suspension is like Wonder Bread — soft and spongy, with noticeable body lean in turns. (A bit surprisingly, it’s the latest Toyota RAV4 V-6 that is now the sportiest, rip-roaringest half-pint crossover.) But the Saturn’s ride was commendably smooth and the steering predictable. The Saturn displayed a tendency to roll forward a good three or four inches, before coming to a full halt, after I slotted the shifter into park. A Saturn engineer said the distance fell within company specifications. If you’ve been known to tromp the gas pedal, you may want to avoid pairing the big V-6 with front drive: That version cooked up as much torque steer — the overstressed front tires twisting the steering wheel in my hands — as any vehicle I’ve tested lately. The all-wheel-drive version, which diverts power to the rear wheels, tamed that sensation. Unfortunately, that honkin’ 3.6-liter engine produces discouragingly low mileage: its rating is 16 m.p.g. in town and 22 on the highway. The four-cylinder front-drive Vue matches the 19/26 rating for a RAV4 V-6 with all-wheel drive — though the Toyota produces 100 more horsepower. One culprit is a chart-topping curb weight of 4,325 pounds, which exceeds the comparable Toyota by about 650 pounds and the Honda by nearly 800. Now about the price: My front-drive XR test car was $28,440, and the nearly loaded all-wheel-drive model ran the tab to $31,295. (A modest XE AWD starts at $24,515; the plainest Vue is $21,395.) The prices are in line with competitors, so they’re not unfair, just unfamiliar. Not long ago, there wasn’t much above $20,000 at a Saturn store; now there’s not much below. That’s the thing about German cars: they’re not cheap. But for practically the first time, Saturn drivers can find reasons to be cheerful behind the wheel — not just when they’re hanging at the dealership, wolfing down a hot dog or two. • INSIDE TRACK: Auf Wiedersehen to the old Saturn. August 22 Collectors
Andrew Hancock for The New York Times Gary Bartlett's 1957 Jaguar is the only XKSS that has never been restored. Pebble Beach, Calif. WHEN it came time to freshen up Michelangelo’s “David” a few years ago, a spirited debate broke out over which restoration process would be most appropriate for the priceless artwork. Though the cleaning techniques under consideration varied widely in their aggressiveness, it is safe to assume that no conservator recommended sandblasting the 14-foot tall hunk of marble to remove the centuries of accumulated grime. A similar reverence for original finishes and the patina of time is developing among collectors of classic cars, an appreciation for automobiles that have been well preserved through the years rather than restored to showroom (or better) condition. One sign of the evolving attitudes can be seen at the Pebble Beach Concours d’Élégance, taking place here today on the Monterey Peninsula. Considered the premier American concours, Pebble Beach added a Preservation Class for unrestored prewar cars in 2001; this year, a second Preservation Class, for unrestored postwar cars, is included. The new class is a validation of the values held dear by collectors like Gary Bartlett of Muncie, Ind., who owns one of the most significant unrestored postwar cars, a 1957 Jaguar XKSS. One of 16 built before a factory fire ended production, it was the ultimate supercar of its era, essentially a street-legal version of the D-Type Le Mans racecar, and a favorite of celebrity playboys. Mr. Bartlett purchased the Jaguar at a 1998 Christie’s auction, virtually untouched from new — a time capsule — and the only one of the 16 XKSS’s that had never been restored. The car, which was displayed at the 1957 Chicago Motor Show, had been all but given up for lost. In fact, it was hiding in plain sight, still in a garage, still in Chicago and in the hands of the second owner who had bought it in 1960. Sloppy handwriting had resulted in the misreading of the owner’s last name and sent searchers on wild goose chases over the years. A dealer of rare cars, contacted by the second owner, took charge of the XKSS and consigned it to the Christie’s auction in London. Externally, the car is exactly as it appeared in Chicago in 1957. The paint, the interior and even the tires, convertible top and top cover are original. Naturally, the car has a patina but it is utterly authentic and remarkably well preserved. Mr. Bartlett had the mechanical systems inspected and reconditioned as needed with original parts. As a comparatively new pursuit, car collecting has yet to adopt the guidelines typically followed by collectors of other historic objects. Europeans have been a bit ahead of the curve on this; the mandate of the Fédération Internationale des Véhicules Anciens, founded in 1966 in France, is to identify and classify vintage vehicles of all types and to assist in sorting out the differences among vehicles that are original, reproductions or fakes. No equivalent organization exists in the United States. Tom Cotter, co-director of the Amelia Island Concours d’Élégance, a major show held in Florida each March, said he thought the psychology of car collectors was somewhat different from that of other collectors. Cars are an expression of one’s personality, and “car collectors are often perfectionists who simply cannot resist putting their thumbprint on a car,” he said. “The first thing a lot of car collectors want to do when they buy a car is to tear it apart and make everything like new and to their particular preference.” That is understandable, he said, because cars, unlike most other types of collectibles, are actually used. Collectors and preservationists outside the old-car hobby take exception to “better than new” restorations that result in cars finished to a level of perfection no production line could have achieved. According to Linda Edquist, a conservation specialist at the National Postal Museum of the Smithsonian Institution, the prime directive among preservationists is to do no harm. The Smithsonian’s philosophy of preservation and conservation — among other things, knowing when to leave well enough alone — clearly resonates with Bloomington Gold, an organization based in Normal, Ill., that certifies vintage Corvettes based on levels of authenticity and preservation. David Burroughs, founder and chief executive of the organization, said that cars were among the few collectible objects for which refinishing generally did not have a negative effect on value. “With nearly any other collectible object you can think of, whether it is a coin, a stamp, a piece of furniture or a firearm, refinishing harms the value.” Mr. Burroughs recounts with a sense of resignation the large numbers of Corvette owners, who, disappointed at not winning top honors with their unrestored cars at the annual Bloomington Gold show, would return the next year with the same car, this time freshly redone. Mr. Burroughs would lament that “another authentic, original Corvette had been lost forever.” In an effort to end Bloomington Gold’s unintended contribution to the practice of restoring cars that might have greater historical value if preserved in their original state, Mr. Burroughs created the concept of Survivor cars and registered the term as a trademark. Survivor certification is a straightforward and simple process that Mr. Burroughs says is applicable beyond Corvettes to other collectible cars and even nonautomotive historic items. Survivor certification simply asks whether the car remains essentially intact — unrestored and unaltered — and whether it is preserved well enough to be a model for authentic restoration. In simpler terms, Mr. Burroughs calls it a “worn-in but not worn-out” standard. In his opinion, restoring a car that has been certified as a Survivor is tantamount to an act of vandalism. Mr. Burroughs’s preservationist zeal is such that Bloomington Gold will happily license its Survivor trademark free to any organization that wishes to use it, provided they adhere to the proper certification guidelines. Additionally, Mr. Burroughs and Bloomington Gold are planning for 2008 what will be the country’s first concours open only to well-preserved unrestored cars. The Survivor concours seems like an idea whose time has come. In 2008, the Amelia Island Concours will add a class for them, said Mr. Cotter, the event’s co-director. Mr. Bartlett’s XKSS has been successful in many shows; on a number of occasions, it has beaten competently restored cars. In addition, more people appreciate his car for the historic artifact it is, he said. Several years ago, in the Louis Vuitton Concours at the Hurlingham Club in London, Mr. Bartlett watched the owner of a 1961 Ferrari 250 GT California Spider unload his car from a trailer with the help of workers wearing white gloves and outfits that resembled hazmat suits. As they were removing the plastic covers from the sealed Ferrari, Mr. Bartlett drove up in his Jaguar. When the judging was done, the Ferrari owner was outraged at his defeat at the hands of the slightly scruffy Jaguar, but it was impossible to argue with the charm of the rare unrestored XKSS. Its authenticity is what appeals to Mr. Bartlett. “Every rivet, the paint and the leather is as it was applied by craftsmen in Coventry, England, a half-century ago,” Mr. Bartlett said. “When I first purchased the car, whenever I’d show it, people would ask me, ‘When are you going to restore the XKSS?’ My answer was always the same: Never.” August 16 why not a prius convertible??? Toyota has sold more than 750,000 Priuses worldwide.By JERRY GARRETT TAGS: ENVIRONMENT, HYBRID, PRIUS, TOYOTA Toyota has sold more than 750,000 Priuses worldwide. Toyota has a television commercial running now that brags the company makes nine vehicles that get 30 miles per gallon of fuel, or better. And that doesn’t even count Scion’s three vehicles, which all get close to 30 m.p.g. or better, at least on the highway. But my question is this: Why so few? It could easily be so many more. Toyota has already been thoroughly roughed up in the media for its emphasis on gas-guzzling full-size pickups, hot rod hybrids that get mileage as bad or worse than gas-powered equivalents and phasing out its fuel cell vehicles. This, from the company that boasts about its green cred. But let’s forget the hulking Tundras and the tire-squealing Lexuses for a moment and ask, why just one Prius? This could be a whole franchise on its own. A lot more viable than Scion, if you ask me. Why is there no Prius wagon? How about a hatchback and a sedan? A coupe? Or even a convertible? I mean, who said hybrid buyers have to take a vow of boredom? One size fits all? Really! Scion is a separate car line based on variations of quirky little boxes. How many of those would really be enough to satisfy demand? Does Yaris really need to come in a two-door hatchback and a four-door? Are buyers really lining up for each? And don’t even get me started about all the different iterations of little Toyota boxcars there are in various markets around the world. Why only one Prius? “We feel we serve that market adequately with the vehicle we have,” said Bob Carter, Toyota Motor Sales U.S.A.’s general manager, when I asked him about it recently. How about a hybrid Corolla? “Again, people in the market for a hybrid in that size range have the Prius to meet their needs,” Mr. Carter continued. No plans for different configurations of Prius? “No.” But Toyota has made no secret that it has at least thought about creating a Prius lineup. Last November Jim Lentz, executive vice president of Toyota Motor Sales in the U.S., said that in order for Toyota to hit its goal of selling 600,000 hybrid vehicles in the United States annually, “there will probably have to be Prius and derivatives of Prius that are selling in the neighborhood of 300,000 to 400,000. We don’t have any plans to do that right now, but that’s the direction that nameplate can go, because it is that strong.'’ More recently, the Wall Street Journal reported that Toyota plans to unveil a Prius wagon in 2011, coinciding with Toyota’s switch to lithium-ion batteries. After the Prius wagon, one knowledgeable Toyota executive said Toyota plans to launch up to nine more new and redesigned hybrids using lithium-ion batteries in the 2011 and 2012 timeframe, although the timing could still change as the company firms up its medium-term hybrid product schedule. The executive said up to nine models are being planned for the U.S., but some models may drop out from the plan. Officially, Toyota is keeping its trap shut on the next generation Prius. But for at least the next several years, and maybe longer (for all we know), one Prius is all we get. The hybrid market, as far as the self-proclaimed world leader in fuel-saving hybrid technology is concerned, is worth only one dedicated vehicle? I don’t get it. August 15 Mehr als die Hälfte der Autos auch am Tag mit Licht[Bild: Keystone] [sda] - Noch im Jahr 2001 waren erst 11 Prozent der Personenwagen tagsüber mit Abblendlicht unterwegs, teilte die Schweizerische Beratungsstelle für Unfallverhütung (bfu) mit. Im Jahr 2004 waren es 39 Prozent. Grosse Unterschiede finden sich allerdings zwischen den Sprachregionen: Während in der Deutschschweiz 56 und im Tessin 50 Prozent der Autofahrerinnen und Autofahrer auch am Tag mit Licht fahren, sind es in der Romandie nur 32 Prozent. Auch dort ist der Anteil jedoch seit 2004 um 12 Prozentpunkte gestiegen. Auf Autobahnen (60 %) wird eher mit Licht gefahren als ausserorts (52 %) und innerorts (49 %). Doch gerade im dichten Verkehr der Stadt ist die Massnahme laut der bfu sehr wirkungsvoll. Das bfu befürwortet ein Lichtobligatorium. July 19 Weekend in New York / Smaller Landmarks
Michael Falco for The New York Times
Sniffen Court on the East Side, a quaint alley from the 1860s. By SETH KUGEL THE Statue of Liberty, as you'd probably guess, is a New York City landmark. It is protected by law from modernizing scalawags who might want to pound windows into the folds of her gown or build tacky balconies for patriotic sunbathing. Same with the New York Stock Exchange (sorry, no adding busts of Google's founders, Larry Page and Sergey Brin) or the Tweed Courthouse (carving hieroglyphs into the pillars is prohibited). But nobody needs to alert visitors to their presence. They're visible from afar, and you're hardly likely to miss them unless fog rolling in off the Atlantic becomes very, very thick. The city's smaller landmarks, though, are harder to spot, hidden on side streets that most visitors would only wander down by chance, or camouflaged by the more ordinary (and often taller) buildings that surround them. You'd walk past many of them unless you happened to stop right across the street, then suddenly took a 90-degree turn. But by missing them, you're giving up on the city's architectural amuse-bouches while pigging out on the grander sights. So along with your Fodor's or Frommer's or Lonely Planet guides, consider taking along the city's paperback Guide to New York City Landmarks, with maps and summaries of hundreds of such spots (along with descriptions of the superstars, too). Sure, the latest edition was published in 2004, which by regular standards would be woefully inaccurate, but this is a guidebook that, by definition, never goes out of date (although new landmarks are added every year). Even without the book, for example, you might catch a glimpse of the colorful onion domes of the Central Synagogue, a Reform temple built on Lexington Avenue in the 1870s, following a Moorish-style synagogue-building trend that started in Germany and arrived in New York via Cincinnati. But you'd miss the two landmarked buildings that are the synagogue's neighbors on otherwise nondescript East 55th Street. At No. 116-118, there's a neo-Georgian house from 1927 that has Flemish-bond brickwork, elegant shutters and two carved eagles guarding the entrance. And at No. 124, the Mary Hale Cunningham House, renovated with a neo-Tudor facade in 1909, has perplexing signs attached to the second-story railing that read “Eleanor's Building” and “She Who Must Be Obeyed.” Turns out those were put up there in 1983 (before the house was landmarked) as a fanciful tribute to the wife of the owner of a television production company based in the building. The West Village is thick with landmarks, especially since a huge chunk of it is part of the Greenwich Village Historic District. The book picks out several can't-miss (but easy to miss) buildings. There is, for example, the spare but elegant Federal-style triangular building stuck in the middle of an intersection of Waverly Place and Christopher Street with the battered signs that read “Northern Dispensary, Founded 1827.” It looks like the kind of place where Ben Franklin or Sam Adams might have hung out, but it was a clinic for the poor. The book says that it was built in two stories, but a third story was added in 1855; if it didn't, you'd never notice that the third-story bricks are just a bit different from those of the second. Also in the Village, you might never go down East 10th Street from Fifth Avenue to check out the Lockwood de Forest House, which is now part of New York University, at No. 7. But its intricately detailed teak on the second-floor facade, brought in from Ahmadabad, India, in the late 19th century, is amazing. And you'd never end up at the far western end of cobblestoned Jane Street to check out the American Seamen's Friend Society Sailors' Home and Institute, a hotel for indigent sailors that was host to crew members who survived the sinking of the Titanic. There's another reason to visit these days; the building is home to Socialista, a new upscale Cuban lounge that has a downstairs restaurant. If you're near Macy's or the Empire State Building, the East 30s have a nice batch of landmarks, including the town houses of the Murray Hill Historic District. But on 36th Street between Lexington and Third Avenues, a block you would be strolling down only by blind luck, is hidden Sniffen Court, a quaint private alley of former horse stables built starting in 1863 and now inhabited by well-off humans. Or the supercool wooden doors at the James F. D. and Harriet Lanier House at 123 East 35th Street, built between 1901 and 1903 in the Beaux-Arts style. Gaze at it from across the street, where your view will only be slightly corrupted by the significantly more contemporary Muni-Meter parking ticket machine. (The sidewalk is apparently not protected by the landmarks law.) As you wander past these buildings, the question that will gnaw at you is: “Who the heck lives there?” But surprisingly often, you'll catch real people (not dressed in period attire) coming in and out of the buildings. Who are they? How did they end up in the house? Perhaps they won't appreciate your stopping them to ask about the house, but that's one way to find out. VISITOR INFORMATION Guide to New York City Landmarks, Third Edition (Wiley, 2004, $26.95). Maps of the historic districts (but not the individual landmarks) are available at www.nyc.gov/landmarks. A few more worth a detour: The former German-American Shooting Society Clubhouse, 12 St. Marks Place, between Second and Third Avenues, an 1889 German Renaissance building. An 1858 house at 152 East 38th Street, between Lexington and Third Avenues, set dramatically back from the street, and 149 East 38th Street, an ornate stable building in the Dutch Renaissance Revival style. The former William J. Syms Operating Theater of Roosevelt Hospital, 400 West 59th Street, at Columbus Avenue. Five townhouses from 11 to 21 (odd numbers) East 70th Street, between Fifth and Madison Avenues, near the Frick Collection (itself in a landmark building). July 18 Mexico
Matt Gross for The New York Times
Lunchtime at the Pink Store, which draws lots of tourists over the Mexican border into Palomas. By MATT GROSS THE border towns of Columbus, N.M., and Palomas, Mexico, lie just three miles apart, but that short distance — what you might drive to the supermarket, say — encapsulates a world of difference. Columbus is sparsely built and sparsely populated: fewer than 2,500 people, living in trailers, RVs and modern ranch homes in the desert, with low, dry scrub never more than a rabbit’s hop away. Each downtown block contains at most four buildings, painted yellow, blue or pink, and between them are dusty lots. From the outside, it can be hard to tell whether anything — three cafes, a library, the chamber of commerce — is open, so still is the air and so empty are the streets. It’s like a well-tended house awaiting its owners’ return from vacation. By contrast, Palomas is dense and lively. Concrete buildings cluster around the port of entry into the United States, and street vendors sell decorative saddles and paletas (similar to Popsicles) to American tourists. Errant mariachi bands patrol the streets, and at noon men sit under shady trees in a park to hide from the sun. When it rains, the streets, many of them dirt roads, flood badly, and shoeless children appear even more pitiful as they beg for pesos. Farther from the border, the houses are frequently unfinished gray concrete shells with “For Sale” signs hanging in glassless windows. A few kilometers out and you’re back in the desert. This border zone might not seem like a pleasant place for any traveler, frugal or otherwise, to spend a few days, yet it appealed to me for two reasons. First, with immigration a hot political topic, I wanted to witness life as it’s lived on the front lines. Second, Columbus is home to Martha’s Place, a bed-and-breakfast with raves from TripAdvisor.com (“Charming & Comfortable,” “An Oasis in the NM Desert”) and an eminently affordable room rate: $40 a night, since I was staying three nights. Most nightly rates are $60 to $70. Just after 5 p.m., following a daylong drive from Odessa, Tex., during which the front wheels of the Volvo made a worrisome sound like a helicopter’s whump-whump-whump, I arrived at Martha’s Place (204 West Lima Avenue, 505-531-2467; www.marthasplacenm.com). It is a wide adobe-style building, with balconies and a homey interior that lived up to the Web reviews. Martha Skinner, a real estate agent and the town’s former mayor, showed me to a pale-blue bedroom and gave me my first tutorial in Columbus life: If I wanted to eat, she said, I’d need to do it soon — all the restaurants close at six o’clock. Fifteen minutes later, I was tucking into a “wet” burrito ($7), full of luscious shredded beef and smothered in red chili sauce, from the Pancho Villa Cafe (327 Lima Avenue, 505-531-0555). The restaurant’s name, it turns out, comes from the town’s history. The next morning, I visited the Columbus Historical Society Museum (505-531-2620), in an old train station full of archival photographs, old newspapers and other artifacts. There I met W. Lee Robinson Jr., a talkative, balding man who said everyone calls him Radar because he looks like Radar from “M*A*S*H.” Back in early 1916, Radar explained, Mexico was in upheaval, and Pancho Villa, a revolutionary general, was feuding with the federal government in Mexico City. This conflict might have stayed within Mexico’s borders, except that Woodrow Wilson decided to end his support of Villa and back Mexico City instead. In revenge for this slight, Villa sent his forces across the border on March 9, 1916, to raid Columbus. They burned buildings, looted businesses and killed 10 citizens and 8 soldiers before being routed. The attack left Columbus with an acute sense of the border, its identity forever intertwined with Palomas’s. For decades, residents have been freely crossing into Mexico for taco dinners, duty-free cigarettes and liquor, and even visits to the dentist. But they’ve also become hyper-aware of their counterparts — the Mexican immigrants, illegal or legal, who cross over into America, some carrying drugs, others dreams. And whatever their feelings about the border, they seem to understand that Columbus would not exist, either in history or today, without Palomas — and vice versa. That strange symbiosis has gotten stranger in recent years, with post-9/11 security measures and anti-immigration policies making the journey from south to north tougher. And it may get harder still. One evening, I drove out to look at what is known simply here as “the fence,” the controversial barrier being built between the two countries. My guide was Radar from the historical society, who also happens to be a radio operator for the Minutemen Project (www.minutemanproject.com), a border-watch group seeking to stanch the flow of illegal crossings. As a light rain fell, Radar explained that his group had developed a harmonious relationship with the United States Border Patrol — the Minutemen spot Mexicans crossing illegally, then pass the location to law enforcement. I was skeptical, but when we neared the fence, he chatted amicably with several Border Patrol officers and they let us through without a problem. The fence, it turned out, is far from finished. There was a concrete foundation that went down six feet (too deep to tunnel under), steel pylons that soared 15 feet (too high to jump from), and X-shaped beams constructed from railroad ties (too tough to drive over). But its various sections each run for only a few hundred feet. We walked to one end and Radar pointed across the border, to an unfinished concrete house surrounded by garbage. “Look how they live!” he said, disgusted. The rain fell harder, and as we drove away through the mud, his words rung in my ears and I had to question his remark. After all, for many people in Palomas, the town is hardly home, hardly worth keeping up — just a stopover on the way to America. One day, just before lunch, I set off for Mexico. The well-paved road to the border was barren most of the way, but ended in a shopping center that included a Western Union, a Family Dollar supermarket and a duty-free liquor store. The Mexican border guards waved me through, and I was in Palomas. Compared with Columbus, the roads were rougher, the buildings denser and the people poorer. The Pink Store (Zaragoza 113; 505-531-7243), however, shone like a beacon of affluence. It is the town’s prime tourist attraction, a kitschy restaurant and handicrafts shop, and amid tin crucifixes, vividly painted mirrors, carved wood animals and several other gringos, I ate O.K. chili and drank a slightly better margarita (no extra charge, with a coupon). Lunch cost $7.15 with tax, but I left craving more. Luckily, this was Mexico, and down the side streets were taco and torta stands. A pair of tacos de barbacoa cost $1.25 and were a million times better than that chichi chili. The sun was hot and high in the sky, but I walked around Palomas anyway, curious about who I’d meet. One guy approached me, asking if I wanted “coke, whiskey, weed, girls.” (I declined.) At a brand-new hotel, the owner asked me to say hello to Martha Skinner; he is her dentist. At a shaded park, another man told me he was on his way to Phoenix, Ariz., to do roofing work in the 120-degree heat. I kept returning to Palomas over the next couple of days, not only to fill my belly with inexpensive food (Gámez, on Cinco de Mayo Street, had excellent grilled chicken) and my car with inexpensive gasoline ($31.25 for a full tank at Pemex, about $8 less than in Columbus). But life here was also more vibrant — and didn’t shut down at 6 p.m. Once, I stopped in at a La Reina de Michoacán ice-cream parlor where I had a fantastic guava paleta ($1) and met an older man carrying a fat pet lizard. While he let it run around his table, he told me in awkward English that he used to work illegally in San Diego before being deported. Now he was holed up in Palomas, biding his time till he could cross the border again. As he pronounced his name — Charles, not Carlos — I could sense his pride in simply having lived on the other side. When I drove back to New Mexico that night, the United States border guards pulled me over for questioning — apparently, they don’t see many New York license plates and even fewer visa-filled passports. They were friendly, but still, my heart beat faster, and I tried to imagine how a foreigner must feel. A single wrong word, a misunderstood cue or bureaucratic slip-up might be enough to strand you in Mexico, three miles from the sleepy town that might be your gateway to a new life. After several minutes, the guards handed me my passport and sent me on my way. The Volvo wheezed into gear, and I returned to my pale-blue bedroom in someone else’s house. Next stop: Colorado. July 17 Palermo
Chris Warde-Jones for The New York Times
Aldo Balestreri, known as Padre Aldo, standing, talks with his customers. At-home trattorias are increasingly popular in Sicily. By DANIELLE PERGAMENT
IT was lunchtime in Palermo, and in the old quarter, a small trattoria was filling up with burly construction workers and fishermen in sodden boots — all crowded around rickety tables watching a soccer match on a staticky television set. The place was noisy with clanking glasses and men talking over one another. Platters of sautéed vegetables and grilled calamari lined the countertop, and the perfume of sizzling garlic drifted through the room. I scanned the other tables and ordered what everyone else was having: spaghetti, drizzled with olive oil and laden with fresh clams, mussels and tomatoes. But when the pasta arrived, drenched in a briny, spicy tomato broth, there was no fork and no waiter in sight. There was just the owner, known simply as Pina, shuffling in threadbare slippers, a lighted cigarette precariously perched on the edge of her mouth. “You need a fork?” Pina barked. Her gravelly voice was so intimidating that I was ready to eat with my hands. “Get it yourself. Top drawer, next to the stove.” If eating in Palermo's rustic trattorias seems like visiting someone's home, that's because it often is. Pina, a gruff Sicilian mother, keeps a bedroom behind the kitchen and five days a week opens her canteen-sized dining room for lunch, serving some of the most authentic food in this port city. At Zia Pina (Via Argenteria, 67), four blocks from the Tyrrhenian Sea, you won't find a sign welcoming diners, written menus, a reservation book or even a telephone. Instead, there are half a dozen tables, biblical paintings and dented pots and pans gurgling and steaming on a beat-up stove. But you can't simply walk in. If Pina doesn't like the look of you, she'll tell you the trattoria is closed — and she'll do it as she's serving platters of stuffed mushrooms and grilled swordfish to a table of hungry fishermen. Luckily, I arrived with my Sicilian friend Emanuele, a photojournalist who has been eating at places like Zia Pina since he was a child. The food of Palermo, like its rocky shoreline and weathered faces, is a bit rough. Vegetables are crudely chopped; fish is served with head and tail; everything comes under a veil of coarse sea salt. Pina's cooking was no exception. She was partial to pasta tossed with fresh shrimp, calamari or sea bass, as well as hearty salads of potatoes, capers and onions. If you're still hungry, you're welcome to seconds, but don't expect Pina to bring them. You can help yourself from the caldron on the stove. At-home trattorias are not the insular tradition they used to be in Sicily. What began decades ago as lunch counters for blue-collar workers, usually started by their wives at home, are spreading to garages and empty houses — and they are becoming increasingly popular with young Sicilians and businessmen, who come for the laid-back atmosphere, low prices and arguably the best food in Sicily. The amateur chefs are cautiously opening their doors to the public, and their menus are expanding, too, though not by much. They are still open only for lunch (about 12:30 to 2 p.m.), prices are remarkably cheap (pasta is usually under 3 euros, about $4 at $1.38 to the euro), and the recipes were handed down from the chef's grandmother. A click more relaxed than standard trattorias, these places have the air of an old-fashioned speakeasy — the proprietor might sleep in the back room, and the entrance is purposely hard to find, with unmarked doors, few signs and no advertising. And because the places are not entirely legal, the would-be restaurateurs don't have to worry about things like workplace insurance, smoking laws, liquor licenses or even taxes. “Most of these places pay protection money to the Mafia,” Emanuele said. “They just want to serve good food to their regulars and keep their heads down.” Well, that and watch soccer. A few days later, Emanuele and I walked into La Rosa Nero, or the Pink Black — a small, free-standing concrete hut in the middle of the quiet, dusty Piazzetta della Api. On a Saturday afternoon last January, the scene inside was another story. Two small rooms, painted pink and black, were crammed with flimsy plastic tables and crowded with groups of men hunched over bowls of steaming pasta, plates of fried calamari and small cups of red wine. Their eyes were fixed on the television — Palermo versus Lazio, and Palermo was losing. Shouts and jeers filled the small trattoria. There wasn't an empty seat in the house. Rosa Nero is run by a young man named Benedetto. He wouldn't reveal his last name because his trattoria is not licensed and he preferred not to call attention to himself. Benedetto explained that this used to be his mother's house. Friends would come over to watch soccer, and his mother would whip up bowls of spaghetti with sardines. Before he knew it, the dining room had grown into a neighborhood soccer club and, as more friends came, a trattoria was born. Emanuele and I sat down next to a group of teenagers and ordered the house special: angiova, or pasta with sardines. It arrived like an untossed salad — whole sardines (heads on), chunks of tomato and a splatter of pine nuts and sweet raisins, all piled atop a small mountain of pasta. I grabbed the fork and spoon, and mixed it up until it turned into a hearty sauce — sweet, salty and a little nutty. Full and happy, we got up to leave and I started to leave a tip. “This isn't done,” said Emanuele. “These places don't pay taxes; all the money goes in their pockets.” Do they ever get in trouble with the law? “See those two men in the corner?” he pointed. “They're police, and they like the food as much as the rest of us.” On my last afternoon in Palermo, Emanuele and I walked down to the waterfront, to an area known as Piazza Kalsa. Our destination was Padre Aldo (again, no address, no phone). The trattoria could easily be mistaken for someone's home — a tidy house on a residential block with a little garden on one side and a paved driveway on the other. “I was born next door,” said Aldo Balestreri, a lively 77-year-old with a stubbly white beard. “My specialty is grilled fish.” He paused for dramatic effect. “And Camilla Parker Bowles ate here once.” Mr. Balestreri added that this used to be a taverna — a hall where men drank grappa until sunrise. Then, one summer about 40 years ago, he rolled a barbecue grill onto the driveway and started cooking meat. Next thing he knew, he had a trattoria. Despite the chilly weather, most patrons were sitting at plastic tables on the driveway, now a patio. We sat down and listened to the menu. Moments later, an antipasto of olives, sardines, tomatoes and capers, drizzled in olive oil and coarse grains of salt, arrived on a worn block of wood. For pasta, we had spaghetti with baby shrimp, mussels, rough-cut garlic and spicy red pepper flakes. We washed it down with chilled red wine and watched the lunch crowd ramble in — young suntanned couples, gray-haired men with callused hands, and teenage boys with greasy hair and baggy jeans. Then Padre Aldo re-emerged, holding two swordfish steaks. He slapped them on the grill and started calling out the day's menu over the hiss of the barbecue. A few moments later, he brought us two plates of spada alla palermitana, or swordfish Palermo-style — lightly breaded with a few drops of olive oil and a fat lemon wedge. The three courses and a bottle of wine came out to 20 euros. As we walked away, Aldo called out from the searing iron grill: “You never asked why they call me Padre Aldo. It's because they think I'm Jesus — my food is that good.” China’s Ancient SkylineBy SIMON WINCHESTER
I AM in a deep, deep tunnel, die-straight and dark and two miles long, a fingernail of faraway brilliance at its mouth brightening every second until, with startling suddenness, it is daylight. Ahead of the car are scores upon scores upon scores of mighty towers, climbing endlessly into the foggy sky, like some surreal and unexpected ruined city. It is a sight utterly to astonish the unprepared, akin only perhaps to the moment when a Midwestern soybean farmer is flushed out of the Lincoln Tunnel into the canyons of Midtown Manhattan. But this is not New York. This is central China, and a remote part of the mountains of northwestern Hunan province, until lately seldom visited and indeed until 50 years ago barely even settled. The tunnel is brand new, built last year for the equivalent of $200 million, and the towers to which it leads are not skyscrapers — well, they are, though not made of steel and glass, but natural, of a buff Cretaceous sandstone, and topped with clinging pine trees. There are well over 3,000 spires, and they make up what the United Nations 15 years ago declared to be one of the most remarkable geomorphological spectacles existing on our planet. The Wulingyuan National Park is magnificent enough — for its topography, for its rare plants and trees and for its stupendous (though panda-free) fauna — that it has been officially designated by Unesco as demanding protection for the benefit of all mankind. Once word of this designation became known, though, all mankind decided it wanted a look-see — and armies of tourists began to descend on the wilderness of northwestern Hunan, trampling the trails, muddying the ground and causing deep anxiety among those charged with managing the region’s treasures. So far, only a smattering are Westerners. But the Chinese themselves, who with their newfound freedoms and prosperity (and cars and superhighways and cellphone towers) are fast discovering their country as never before, have all of a sudden, and in their millions, discovered Wulingyuan. The manner in which that discovery is manifesting itself speaks volumes about the way the world can and should be dealing with its most precious places. The deliciously intricate geology of China — basically an immense tectonic plate endlessly tormented by titanic collisions with the neighboring plates that bear India and Australia — is of course responsible for both the fabulous complexities and the extreme isolation of Wulingyuan. Sixty million years ago there were tropical seas there; sometimes they were deep, leaving soft and fossil-rich limestones, sometimes shallow, leaving hard beach-sandstone. Then the land rose under tectonic pressure, and the weathering of the limestones and sandstones proceeded in that peculiar way that is called, after a geologically similar area in Slovenia, karst. The limestones dissolved over millions of years into fissures and sinkholes and immense caves, the sandstones cracked into knife-edged pillars, some of them like needle-shaped mesas, fully 1,000 feet high. Tourists come to this increasingly accessible corner of China to see both — although most I spoke to said they had come for the landscape of towers, which looks uncannily like the ink-and-paper drawings that for centuries have presented a defining aspect of classical Chinese art. Yet there is a difference: the art is fanciful, the imagined landscapes of the creative mind; the geology of Wulingyuan has produced more than 100 square miles of landscape that is very much the real thing, however fantastic it might at first appear. As I drove there from the immense and grubby city of Chongqing, a hard day’s journey, I confess to having fairly low expectations. The weather was unpropitious, to say the least: it was raining hard, and a stiff westerly gale was blowing the stain of city pollution almost to the fringes of the park. I had been to countless other Chinese tourist sites before and had winced at how often the authorities seemed to render their charges into Asian versions of Gatlinburg or Blackpool or, at best, Disneyland. But at that first sight of those soaring towers at the tunnel mouth, everything changed. (As did the weather: as if by an edict of the gods the wind eased, the rain softened until it had become no more than mist, and the summits of the pillars became wrapped in fronds of cloud as delicate as skeins of silk.) The scenery in Wulingyuan turns out to be so immense and impressive, and yet so geologically frangible, that it seems positively to demand to be cared for. Like the Grand Canyon and Monument Valley, the huge forests of pillars stand foursquare against the distant blue hills, announcing themselves to be the very treasures that Unesco declares them to be. At every twist and turn of the road there is a view to make one gasp. In terms of astonishment I found myself saying time and again, as I gaped from cliff-edge and bridge and viewing tower: This is as great as the Great Wall. And all the while I had to remind myself that Wulingyuan had been made by nature for China, and though it looks in places almost too perfect and carefully hewn to be true, not made, like the wall, by politically motivated man. Yet politics has contributed significantly to turning Wulingyuan into an important way-station for the modern Chinese visitor. A senior Communist soldier named He Long — who was from the minority Tujia ethnic group and so was particularly venerated for his loyalty to the Maoist cause — happened to come from this region of Hunan. During the Civil War of the 1930s he took refuge in the canyons and remote river valleys, venturing out from time to time to wreak havoc on any nearby Republican forces. When the war was over and the People’s Republic was declared in 1949, Marshal He became a national hero, and the theaters of his battlings entered the geography of the national epic, along with the route of Mao Zedong’s Long March and the details of the capture of Beijing. So a trickle of visitors started in the mid-1950s, all ardent pioneers taking part in a patriotic pilgrimage. A gigantic bronze statue of Marshal He was erected, looking suitably heroic on a cliff edge, a quiverful of 600-foot sandstone spears bristling up from the depths behind him. To touch the hem of the marshal’s cloak in Wulingyuan is, for many, the realization of an immense ideological ideal. But now it is mostly about tourism, and pleasure. In the late 20th century, a rapidly changing China realized that it had in Hunan a scenic amazement on its hands. It already had the Great Wall and Guilin and the terra-cotta warriors of Xian. Now, within easy reach of Shanghai and Guangzhou and not too far from Beijing, it had a gem of a place, hitherto unknown, unseen, scenically unforgettable, culturally impeccable and politically just the ticket. The central government declared it the country’s first National Forest Park in 1982; Unesco awarded it World Heritage Site status in 1992, and then, in 2004, declared it one of the world’s GeoParks, a classical and world-class demonstration of remarkable geology. Whereupon the floodgates opened, and all China began to pour in. A brand-new domestic airport has just opened in Zhangjiajie City, 20 miles away; a new road will connect the park to Chongqing, which has a municipal population exceeding 30 million and lies just 300 miles to the west and will soon not take a long hard day to drive, as it had taken me; a four-lane superhighway has just been opened to the huge city of Changsha, three hours off; four flights daily connect to Hong Kong. There are even more flights connecting to Seoul, and Wulingyuan is being heavily advertised on South Korean television. I had my fears. I have been on the Great Wall on a stifling summer’s day; I have seen Kyoto’s Philosopher’s Walk in mid sakura season, and I have known Venice during the Biennale — and so I have seen the third circle of tourism hell, and I fret over its potential for spreading. But now that I have been there, I have little hesitation in applauding the Chinese for managing this most extraordinary of sights — using a mixture of ruthless discipline and tender care. Wulingyuan, it seems to me, works. This truly world-class spectacle is remaining, if barely, uncrowded and unruined by the immense battalions who now quite understandably wish to see it. High technology and high cost control the crowds. A truly bewildering array of entry charges — all of them displayed on a board at the park entrance that has to be fully 20 feet long to accommodate their various permutations — comes down to one reality: it costs a bald 248 yuan to get in. That is about $32, a little more than an average week’s wages in China. Once inside there are more charges: to ride a bus or the aerial cableway (Austrian-built, installed last year, and breathtaking as it swings between and above the sandstone pillars); to take a three-car glass-walled elevator bolted up the side of one of the tallest pillars; to visit the caves (which are privately owned by one of Deng Xiaoping’s grandsons); to circle an artificial lake owned by a Hong Kong investment firm. There is some rather tame whitewater rafting, too, 130 additional yuan for an experience not much more exciting than tubing on the middle reaches of the Susquehanna. All things considered, a Chinese family visiting Wulingyuan can easily spend two months’ pay in a single day. A foreign family will perhaps feel less pain, but because of the high prices all feel a sense of privilege once inside — which is a feeling, I am fast coming to think, that responsible 21st-century tourism should perhaps engender. Moreover, the gatekeepers know exactly how many are inside the park at any one time, and they have the power to shut would-be visitors out, which might seem harsh, but to those trapped in a heaving summer scrum on Piazza San Marco or inside the Forbidden City, it is the kind of decision that would probably seem a sensible relief. The disadvantage is that the park’s cost-free walkways — most notably that along a three-mile canyon close to the lower entrance — can be unbearably crowded, with long lines of strollers (and the unfit and the elderly in bamboo sedan chairs) creating an ugly and noisy congestion. As elsewhere in Wulingyuan, there are monkeys aplenty for such mobs to see and feed (illegally); but if there really are cloud leopards and pangolins and all the other animals and birds for which this reserve is said to be famous, the commotion along the Golden Whip River Canyon has clearly sent them all scurrying off into the forest. As most Western visitors would dearly like to do, I suspect. The park regulations do not seem to allow overnight camping; but they do permit wandering on half-defined trails, and I imagine that most outsiders who get to the park would have little interest in paying obeisance to Marshal He, but would relish the chance, especially if the weather is good (and springtime, when the cherry and plum trees are in full blossom, is splendidly cool and misty) to walk, and commune with that rarest of treasures — Chinese nature. And there is one superb benefit for doing so, I discovered as I trekked up the 3,000 stone steps to a temple site on top of one of the mountains. According to signs posted every half mile or so, there is No Smoking, anywhere inside the park. I didn’t see a single soul lighting up — and in China that is quite remarkable. The consequence is that in Wulingyuan, not only are the peaks tall and the waters clear, the birds in full song and the flowers in bloom, but the atmosphere is — as almost nowhere else in China — well nigh perfectly clear. And that is perhaps the very best reason to go. Here you can breathe fresh air, something that in today’s China is the most precious of finds, and a very great delight. VISITOR INFORMATION Wulingyuan National Park, about 860 miles southwest of Beijing, covers more than 100 square miles in Hunan Province and encompasses four major scenic areas: Zhangjiajie Forest Park, Yangjiajie Scenic Spot, and Tianzishan and Suoxiyu Natural Resources Reserves. A tour of several attractions takes about three days. A general-entry ticket, good for two days, costs 248 yuan ($31.90 at 7.77 yuan to the dollar) at the park gates. Separate tickets are required for cable cars, lifts and access to some areas. Within Suoxiyu Reserve, for example, prices include 130 yuan for rafting on the Maoyan River, 65 yuan to visit Longwang Cave (Dragon King Cave) and 62 yuan for Baofeng Lake. The most convenient airport, Lotus Airport (Hehua Airport) in Zhangjiajie City, about 23 miles from the park entrance, is served by daily flights to and from several major Chinese cities. The two-hour flight from Beijing on Air China or Hainan Airline costs 1,470 yuan , with discounts available during the off-season. Flights from Hong Kong on China Southern Airlines arrive twice a week. A taxi from the airport to the national park costs 80 to 100 yuan , with most drivers open to negotiation. There is no direct bus to the park, but buses run from the airport to the bus station in downtown Zhangjiajie City, and from there to the park every 10 minutes from 5 a.m. to 6:30 p.m. Traffic at the park gate is usually light, with long lines expected only during peak holiday periods, such as October and the first week of May. Shuttle buses within the park connect major sites. Hotels within walking distance of the park gates include Hunan Xiangdian International Hotel (86-744-5712999), with mountain-view rooms starting at 480 yuan ; Hunan Pipaxi Hotel (86-744-5718888), in the courtyard style of the local Tujia people, with rooms from 440 yuan ; and Best Western Premier Zhangjiajie (86-744-5669888), the best-appointed of area hotels, with rooms from 800 yuan. To get the lowest rates, book through a travel agent. Most visitors have breakfast and dinner at their hotels and eat lunch inside the park, where restaurants are easy to find at popular tourist sites but rare in less visited areas. The most popular fast-food places in the park are Tianzi Fastfood, with three locations, (86) 744-5618588, (86) 744-5617888 and (86) 744-5617777, and Tianqiao Fastfood, (86) 744-5719226. These offer buffets as well as regular meals, including such local delicacies as wild fungus, pine mushroom, sweet corn on the cob, kiwi, partridge and wild boar. Locally run restaurants are also found in the park. In Zhingjianjie, try Xiang Li Ren Jia (Second Floor, Tianmen Clothing Mall, Huilong Road, Zhangjiajie City, 86-744-8297977), featuring local sour and spicy Hunan-style dishes. By LIN YANG SIMON WINCHESTER, the author most recently of “A Crack in the Edge of the World,” is writing a book about the China scholar Joseph Needham. July 09 Portugal’s Hidden ‘Dream Places’
Susana Raab for The New York Times
The Pousada Solar da Rede, in Mesão Frio, is an 18th-century manor house by the Douro River. By SARAH WILDMAN
WE were driving south on Route 101 — a two-lane highway that slices diagonally through Portugal — in search of a tiny town called Mesão Frio and the Pousada Solar da Rede, an 18th-century manor house set above the Douro River. I had two maps spread out beside me, and a Spain-Portugal Michelin atlas open to the northern half of Portugal. How hard could it be to find the Douro? And where were we exactly? Lost somewhere, apparently in a nature preserve. “Don't take the high-speed road,” a confident receptionist at the Pousada de Amares, where we'd stayed the night before, had assured us. “Route 101 is faster.” But one map showed Mesão Frio to the east, and the other to the west. “Just pick a direction!” urged my exasperated traveling companion as we hit what seemed to be our 40th unlabeled roundabout. And then, suddenly, the pousada appeared — a mansion, Baroque and huge — after switchbacks and turns, looming high above the green Douro (finally!) about two hours upriver from Porto. It was an impressive sight: winged granite dragons guarding the path to the front door and a terraced, formal labyrinthine garden jutting out over a vineyard; bushes carved in circles and squares, flowers blooming everywhere; and the lovely Douro meandering like a Hudson River School painting, hazy in the near distance. Akin to the state-owned Spanish paradores, the 65-year-old network of Portuguese pousadas (once entirely state-run, but now managed by the Pestana hotel group) range from 18th-century manor houses, like the one we'd been looking for, to former convents, monasteries, castles and palaces, as well as more modern buildings tucked into nature preserves and mountain ranges. They are almost all a challenge to get to — during our four-day trip in May, everyone my partner, Ian, and I spoke to had gotten lost at least once on the narrow roads that wrap around lush mountainsides where auto-routes inexplicably change names. But any irritation over maps that don't coincide and towns that don't exist melts upon arrival. These buildings are magnificent: the ones we visited were as, if not more, beautifully turned out, we thought, than their Spanish counterparts. Later that night, comfortably fed and checked in, we were finally able to laugh about our “one-hour” trip to Mesão Frio, which took nearly triple the time promised by Google Maps. We even recounted the story to our new friends and fellow guests, Claudia Dannhorn and Bruno Brawand, as we sat on embroidered damask chairs beneath a big crystal chandelier. Claudia sprinted back to her room and came back with a portable Global Positioning System. “You have to have one,” she said. “In Portugal there are no signs anywhere.” She pulled her legs underneath her, struggling to get comfortable — a real feat on chairs designed for ballerina-straight 18th-century postures. This had been the formal family sitting room for a noble wine-estate family; their bewigged images adorn the traditional blue-tiled walls of the dining room. As with other manor houses in this region, these wealthy estate owners were producers of Douro wines — whites, reds and Ports — with 62 acres of family vineyards, along with orange and lemon trees. The next morning we saw the grape vines and the fruit trees clinging to the sheer mountainside, spilling down to the meandering Douro itself. But that night it was stormy and dark, and the room was bright. Casual it is not. The chairs and love seats are the kind only Marie Antoinette might have found comfy: intricately carved, carefully embroidered. Just sitting in such a room — with its original 18th-century tiles on the walls and gilt French mirrors, straight-backed chairs and period silks everywhere — we felt as though we'd stepped over the red-velvet rope and were chilling out at Versailles. On a stand, a crumbling text in Portuguese provided the history of this family estate turned pousada. In a gorgeously photographed coffee table book on the pousadas called “Moradas de Sonho” (which was translated as “Dream Places”), the pousadas are explained as the “preservation of [Portugal's] architectural and natural heritage, living architecture and the riches of Portuguese cooking.” Solar da Rede's dining room — where local specialties like cabbage soup and roasted duck with a caramelized cherry reduction are served alongside such recent innovations as vegetarian crepes — was impressive, with Portuguese tiles and period chandeliers. In an environment of relaxed luxury, pousadas provide a glimpse of Portuguese history and landscapes, well off the traditional traveler's path. Claudia and Bruno are just the type of visitor that Portugal hopes to entice as guests. The couple (she's German, he's Swiss) own and run the Hotel Berghaus Bort in the Swiss Alps town of Grindelwald, and they work without a day's rest, they told us, from November until May. Then, instead of sleeping, they travel for three weeks. One year it was Thailand. This year they were hopping from one pousada to the next, in large part because so many of their employees are Portuguese, and they wanted to get a taste of the country. Claudia and Bruno's journey began at the 12th-century Castelo de Óbidos, the first pousada converted from a historic building. They'd slept in the tower. And then they'd moved on to the medieval city of Guimarães, the entire downtown of which is a Unesco World Heritage site. IF you drive in any direction from Guimarães — to the northern and eastern borders with Spain, or out to the Atlantic coast — the countryside is rich in pousadas: mostly convents and monasteries, each reflecting the austerity and isolation of this region in the Middle Ages. Many had fallen into terrible disrepair before adoption and rehabilitation by the pousada system. But the state of ruin, rather than complicating the restorations, allowed architects license for artistry, turning these buildings into places of the imagination as much as history. Perhaps the best example of this is Santa Maria do Bouro, a monastery turned pousada just outside Amares, about 22 miles north of Guimarães. There I ran into J. Kasmin, a London-based retired art dealer, at the Pousada de Amares. Mr. Kasmin and his friend Peter Brock walked to the pousada, literally, at the end of a walking tour with On Foot Holidays— seven days of hiking in the Portuguese countryside. For the two, the effect of seeing the pousada through the mist was similar to that of the pilgrims who visited this monastery in the 14th century — that is, until the latter-day pilgrims stepped inside and found ancient walls transformed by modern art and design. In the late 1980s Santa Maria do Bouro, a half-destroyed 12th-century monastery, was handed over to the Portuguese architect Eduardo Souto de Moura. He spent eight years on the restoration; the pousada was inaugurated in 1997. The architect noted as he worked, “I am not restoring a monastery; I am building a pousada from the stones of a monastery.” The internal courtyard was left nearly a ruin, with trees growing from the rock and arches leading nowhere, visible through giant nonreflective glass windows along every corridor. Yet the rooms, once monks' cells, are modern and sleek, with all-white marble bathrooms. In the hallways, an oxidized iron ceiling hides air-conditioning and modern plumbing. Big windows have a view of a chapel attached to the monastery, seamlessly blending the old and new. Downstairs, the restaurant walls are made entirely from ancient stones, stacked up to a ceiling three stories high. The original monastery ovens, giant and blackened, are set in back. Yet the tables are modern, with light wood chairs and cutlery so delicate and sensual it looks more like what you'd find at Georg Jensen than in a medieval dining room. The chef prepares local specialties like grilled octopus with “punched” potatoes (roasted and then squashed flat) and adds such innovations as vegetarian dishes and cilantro-infused rice. Outside the restaurant, the view through five stone doorways to a closed antique green-painted wood door has caused many a diner to stop in wonder. Public sitting areas marry ancient and modern, with chestnut-colored leather chairs set against the 12th-century stones, and a huge fireplace near the bar. Large canvases of modern art feel at home in the space. Outside the walls, it is a hike of two and a half miles to another medieval church; you can take a packed lunch from the kitchen. Most people head out by car, pointing their G.P.S. devices to the historic city of Guimarães, about 45 minutes away. The shell of the castle of Countess Mumadona Dias, considered to have been the most powerful woman in Portugal in the 10th century, is about a five-minute walk above the center of Guimarães. Today it is a playground for any child or adult who has ever liked stories about knights or princesses. It's exactly how you would imagine a castle should be, with a moat, a tower and parapets. Next door is the far better preserved 15th-century palace of the Dukes of Bragança, now a museum. Guimarães's two pousadas are intertwined with the same kind of history. Downtown the Pousada Nossa Senhora da Oliveira faces the 14th-century church of Nossa Senhora da Oliveira and 15th-century nobles' homes on a medieval piazza, in the heart of the historic center. Wandering the streets here is as much a part of the charm as the pousada itself — 17th-, 18th- and 19th-century painted tiles adorn the walls; heavy wood beams serve as supports for the ancient buildings. Set apart, a bit above the city, the other pousada — Santa Marinha — sits on a hillside. The grounds are magnificent, with a small stream ending in a tiny waterfall, well-maintained gardens and a large covered patio graced with 300-year-old tilework and a flowing stone fountain. The day I visited, Inger Baehr, a retired Norwegian teacher, was sitting inside by windows overlooking the city, reading about the history of the pousada. Some years ago she and her husband reserved a room at this pousada as a respite after a conference in Lisbon. But they got lost, and arrived at 11 p.m. They were nevertheless so impressed they vowed to return to fully experience it. “We came back in January,” she said. “And now we're here with my 91-year-old mother, my brother and sister and their spouses.” THE transition from Guimarães to the Solar da Rede pousada in Mesão Frio is dramatic, especially if you miss the high-speed autoroute and take the smaller national park road, as we did. The scenery is lush and verdant, hilly and vertiginous — you emerge from forest into vistas of endless grape vines and fruit-bearing trees. But nothing is more remarkable than the sheer geographic differences Portugal offers in such relatively short distances. Leaving the Douro Valley after Solar da Rede, we headed toward the São Jacinto Nature Reserve on the Atlantic coast. On an isthmus less than an hour's drive south of Porto, the region resembles what the North Fork of Long Island must have looked like at the beginning of the last century. Farmland as far as the eye can see. Tractors. Oxen. (Oxen!) For every five tractors, a horse-drawn cart. From the bridge toward the small coastal town of Torreira and the nature reserve — a birder's paradise — the water is calm and blue; colorful moliceiro boats with upturned prows and sterns bobble in bunches near more modern motor boats; bicyclists in packs cruise the flat terrain. After the monasteries and manor houses, we had a choice: another palace of some sort, or one of the “new” pousadas, built for their relation to nature rather than history. We opted for the latter: the Pousada de Torreira-Murtosa. Opened in 1967, it has the feel of a lovely summer house: cherry floors, faintly nautical décor, smart cream-and-maroon-mottled couches and sisal flooring. The building is airy — faintly reminiscent of Frank Lloyd Wright if you're being generous, or something designed by Mike Brady, the architect father from the Brady Bunch if you're being cheeky. Nothing is meant to detract from the sea. Downstairs the wall is glass, the floor is slate. In the restaurant, overlooking a lagoon, the pousada offers local fish and seafood — cod, sardines, skate, octopus — with cracked olives. Since it's isolated in the nature preserve, there are no noisy neighbors, no sounds of motorboats, only water, fishermen in the distance and dunes nearby to climb on. We didn't even get lost on the way. “Here you can recharge your batteries,” said the hotel manager, happy to try out an American idiomatic phrase. It would have been funny if it weren't so true. VISITOR INFORMATION GETTING THERE In June, flights from Newark to Lisbon on Continental were running around $1,100 for July and August. From Lisbon, you must rent a car, as the pousadas are not accessible without one. Europcar has been offering a few specials for American citizens (from $202 for four days with unlimited mileage); Hertz has a similar price online. If you own a portable Global Positioning System device, this would be a good time to buy the European map system. THE POUSADAS On the central pousada Web site, www.pousadas.pt, descriptions are provided for each pousada; a map of the country, dotted with pousadas, gives a vague sense of the distances between them. The Pestana hotel group, which manages the pousadas, recommends “routes” — like the “Port Wine Route,” “Lisbon and Route of the Castles,” the “Rice Route” and the “Cod Fishing Route” — but these names mean very little without a basic idea of Portuguese geography. You can combine pousada stays with visits to Porto, Lisbon or the Algarve by visiting the inns, which date from the 12th to the 20th centuries, along the way to your destinations. The most economical way to visit the pousadas is to get a pousada “passport,” which costs 360 euros (about $485, at $1.35 to the euro) for a double room for four nights with a 35-euro supplement for Saturday evenings. There are rules for the passport — some pousadas won't take them during August, others charge a small additional fee — but for 11 months of the year, especially for midweek travel, the passport offers a significant savings over regular rates, which average 185 euros a night. Various other packages can be found at www.pousadasofportugal.com/passport.html. Oddly, the central pousadas Web site and telephone number (351-21-844-20-01) were less forthcoming on discounts than the reception desks at the pousadas themselves. But check the site for “special offers” that vary from pousada to pousada. Skipping the recommended “routes,” we tried the far north first, staying at the Pousada Santa Maria do Bouro (351-253-371-970), designed by Eduardo Souto Moura and opened in 1997, and then dipped down to Guimarães to check out the Pousada Nossa Senhora da Oliveira (351-253-514-157) in town and the Pousada Santa Marinha (351-253-511-249) above the town. We next drove down to the Douro River and spent the night at the Pousada Solar da Rede in Mesão Frio (351-254-890-130). For our last stop we tried a “new” pousada, the 40-year-old Pousada de Torreira-Murtosa (351-234-860-180), on the Ria Aveiro, across a wide seawater inlet from the town of Aveiro and set in a nature preserve. These hotels don't have street addresses. Instead the Web site provides a link to the Michelin-online map guide. I printed each of these, but still found myself lost all the time. DINING The regional cuisine is reflected on the menus, and with the pousadas passport we had two 20 percent discount coupons for dinner. Perhaps our best dining experience was at the Pousada de Torreira-Murtosa, on the water, with its fresh fish and ceviche starters. Off the pousada route, around the corner from the Pousada Nossa Senhora da Oliveira, in Guimarães, we found Val-Donas (Rua de Val Donas 4; 351-253-511-411; www.valdonas.com), a lovely modernist space with whitewashed walls and black-and-white photographs. The menu is local — fish, cabbage soup — but reasonable. Dinner for two with wine comes to about 45 euros. WINERIES Near the Pousada Solar da Rede, in the Douro Valley, you can visit small wineries like Quinta de la Rosa (Pinhão; 351-254-732-254; www.quintadelarosa.com), which is also a small bed-and-breakfast; Quinta Nova (Pinhão; 351-254-730-430); and the larger Caves Sandeman (Largo Miguel Bombarda 3, Vila Nova de Gaia; 351-223-740-500; www.sandeman.com). SARAH WILDMAN, a regular contributor to the Travel section, wrote about Spanish paradores last July. July 05 Peugeot 308Der diskrete Charme der BourgeoisieSchon Ende September kommt der neue Peugeot 308 zu den Händlern. Der Erfolg scheint garantiert, denn die Franzosen wagen keine Experimente.![]() Es ist ja nun wirklich nicht so, dass der 2001 vorgestellte Peugeot
307 auf der Strasse irgendwie schlecht aussehen würde; sein Design ist
zeitlos, und deshalb wirkt er immer noch frisch. Es ist auch nicht so,
dass er sich schlecht verkaufen würde (insgesamt sind es bisher schon
über 3 Mio Exemplare) – seinen Zenit hat er zwar überschritten, doch es
wäre noch manch ein namhafter Hersteller froh, wenn er solch ein Modell
in seinem Programm hätte. June 29 1 for the road Summer's
here - sort of - and it's coupe-season in Bavaria. No sooner had BMW
put the finishing touches to the soon-to-be-unleashed M3 than the boys
in Bangle's design department turned their attention to transforming
their little 1-Series into something a bit sleeker. So this is the
1-Series Coupe. And it looks, well, exactly as we imagined it to be.
We've never quite been convinced by the 1's mix of slabby sides and odd
angles, but had hoped the coupe might sense of it all. But no.Styling aside, though, things get more interesting. As in three-hundred horsepower interesting. Although the 1-Series Coupe will be launched with the option of two diesel engines - the 120d and 123d - it's the 135i that we're getting excited about. With a twin-turbo version of BMW's three-litre straight-six, the 135i puts out 306bhp and 295lb ft of torque from a lowly 1,300rpm. Which means plenty of shove, a 0-62mph time of 5.3 seconds and an electronically limited top speed of 155mph. In other words, the 135i will be seriously quick. It should be able to handle the pace, too. The driven rear wheels are bolted to a five-link suspension set-up, and you even spec your 135i in M-Sport trim for a firmer ride. But take heed, drift monkeys - there's no diff. All good then? Very nearly. The only black mark against the 1-Series Coupe is that BMW has officially rubbished any suggestion of an M version. Apparently it doesn't make financial sense: a M1 would cost close to 40 grand - too much for such a small car. We say forget financial sense, BMW. We like the idea of the 135i but reckon there's a real opportunity for a lightweight special to rival the iconic E30 M3 - and make the M1 the best-handling car in history. Bitte? June 22 36 Hours in BaliBy ERIKA KINETZ
SAY Bali and most people think paradise. There are stunning sunsets, sculpted rice terraces and a temple on almost every corner. And for less-spiritual seekers, this steamy Indonesian island also has great surfing and a rollicking nightlife. Sure, it's gotten pretty touristy, especially on the pub crawl along Kuta Beach, where beer-swilling Australians rule. And while recent terrorist bombings have rattled Bali's blissful pace (it is a Hindu-majority island in a Muslim-majority nation), they have done little to temper its popularity or discourage super-chic resorts from being built. Paradise, after all, is as close as the nearest temple, finding yourself on your knees with a blue flower pressed between your fingertips, asking for blessings from Brahma or one of the other gods. Friday 3 p.m. There's nothing like 200 macaques grooming each other, snuggling together and nibbling on small bananas to make you realize you're not in Kansas anymore. To find the Sacred Monkey Forest Sanctuary (Jalan Monkey Forest, Padangtegal, Ubud; 62-361-971304; www.monkeyforestubud.com) drive an hour north of Kuta Beach to the town of Ubud, often called the cultural heart of Bali. The monkeys, the town's most beloved residents, live in a dense, jungley stretch of green at the southern edge of town, complete with its own temple. A word to the wise: Leave your snacks at home and don't buy any bananas on the way in unless you enjoy being mauled by possibly rabid little tykes. When it comes to bananas, the monkeys will win. Admission is 10,000 rupiah, or about $1.10 at 9,270 rupiah to the dollar. 4:30 p.m. It's said that labor is cheaper than electricity on Bali, so why not book a four-handed massage at Spa Hati (Jalan Raya Andong 14, Peliatan, Ubud; 62-361-977-578; www.spahati.com), a stone and thatched-roof compound at the edge of town. Add in a lulur body scrub — a traditional Javanese blend of rice flour and herbs — for 90 minutes of rapture (225,000 rupiah). Afterward, the unhurried staff lets you relax for as long as you want in the hot tub, listening to little frogs make big noises in the rice paddy next door. And about that cheap labor: spa profits help support the Bali Hati Foundation, which runs community programs, including a school for local children. 7:30 p.m. Bali is brimming with fire dances, mask dances, trance dances, monster dances and puppet shows, all of which have been refined over the centuries to the point that eyeballs, fingertips and toes all move in elaborate choreographed precision. On a typical night in Ubud you can take your pick from a half-dozen different shows. It's worth ducking into the Ubud Palace (Jalan Raya Ubud; 62-361975057; 80,000 rupiah) to watch good and evil duke it out in the Barong dance. Set in a Balinese-style pavilion, the dance is performed by two fat guys whose choreographed fight scenes draw inevitable comparisons to the WWF. 9 p.m. For tasty Balinese food in a relaxed setting, expatriates flock to Naughty Nuri's Warung (Jalan Raya Sanggingan, across from the Neka Art Museum; 62-361-977547), a cozy hangout opened by Isnuri Suryatmi and her husband, Brian Kenny, who grew up in New Jersey. It does justice to classic Balinese dishes like chicken sate (27,000 rupiah) and nasi goreng — Indonesian fried rice with vegetables and meat (17,000 rupiah). But the main draw of this grubby little warung, or food stall, is the grill. There are succulent pork chops, steaks from Australia and even great hamburgers — and something uncommon in Asia, a good microbrew: Storm Pale Ale (12,000 rupiah). Saturday 9 a.m. Most of the super-luxury hotels in Ubud are built along the top of the gorge that the Ayung River runs through. There's a good reason for that: the views are gorgeous. Down on the river, climb aboard a rubber raft and watch the thick vines, low-flying swallows and waterfalls go by. Bali Adventure Tours (62-361-721480; www.baliadventuretours.com) runs 90-minute trips down the river starting at $60 for a morning trip that includes a basic lunch of rice and egg rolls. 2:30 p.m. Ubud's artistic appeal is, for the most part, historical. Its reputation dates to the 1930s when Western artists and intellectuals like Walter Spies, Colin McPhee and Rudolf Bonnet moved in, boosting the local arts scene and sparking foreign interest in this tiny island. To understand that history and see some fine examples of Balinese art, start at the Neka Art Museum (Jalan Raya Sanggingan, Campuhan; 62-361-975074; www.museumneka.com), which was founded in 1982 by Suteja Neka, an art dealer whose son now runs the slick Komaneka Fine Art Gallery (Jalan Monkey Forest; 62-361-976090; gallery.komaneka.com). For some high camp, make a quick stop at the Blanco Renaissance Museum (Jalan Campuhan; 62-361-975502; www.blancobali.com); the only thing grander than the peccadilloes of Antonio Blanco, a Spanish painter who settled in Bali in 1952, was his ego. 5:30 p.m. Ubud closes early. By 11 p.m., everyone is home, leaving the streets to bands of marauding but basically harmless dogs. If you want to make a night of it, head south to Seminyak, a sophisticated beachside alternative just north of Kuta. The hour-long taxi runs about 150,000 to 200,000 rupiah ($16 to $22). For a front-row seat for the dazzling sunset, grab a chair at Breeze, a sleek beachside bar and restaurant at the Samaya Hotel (Jalan Laksmana; 62-361-731149, www.thesamayabali.com), and order a glass of wine (about 70,000 rupiah). The teak deck juts out so close to the surf you can almost feel the foam from the breakers. 7 p.m. When the last ray of sunlight has faded, head next door for dinner at La Lucciola (Kaya Ayu Beach, Temple Petitenget, Kerobokan; 62-361-730838), a popular beachfront spot, for rich Italian fare like prawn and snapper pie with truffled potatoes (125,000 rupiah) and orecchiette with pancetta and gorgonzola (80,000 rupiah). There might be a line, but don't worry. Sit at the bar for free hors d'oeuvres and watch the frangipani flowers fall around you. 9:30 p.m. Ratchet things up among the macramé-clad, flash-bulb popping babes at Ku Dé Ta (Jalan Laksmana 9, Seminyak; 62-361-736969; www.kudeta.net), a modern and trendy spot that faces the surf . It's shamelessly sceney — a DVD is sold showing highlights of the high season. Score a beachfront chaise and watch the waves, illuminated with floodlights, come crashing in. After hours, all roads lead to the Double Six Club (Jalan Double Six, Blue Ocean Boulevard, Seminyak; 62-361-733067; www.doublesixclub.com; 70,000 rupiah admission), which sports a giant dance floor and bungee jumping on weekend nights. But don't show up before 3 a.m. Sunday 10 a.m. If for some unfathomable reason you tire of Bali's thick, rich coffee, duck into Tutmak Warung (Jalan Dewi Sita, Ubud; 62-361-975754 ) for an iced latte (14,500 rupiah). It's a favorite of local expatriates — a casual, breezy place that looks out on a scraggly soccer field frequented by local kids. 11 a.m. The six-hectare Botanic Garden Ubud (Kutuh Kaja, Ubud; 62-361-970951; www.botanicgardenbali.com) opened last summer — a magical park with white fairy lilies, weeping figs, a labyrinth, banana twist orchids and a miniature rainforest. Stay for lunch at the Chocolate House Cafe, which is housed in a 130-year-old jogglo, a traditional Javanese hut made of teak wood. The guava and passion fruit juices (12,000 rupiah) are garden fresh and the chicken kutu kaja, which is cooked slowly in banana leaves and served with red Tabanan rice, is a local specialty (42,000 rupiah). The menu rotates, but if it has it, don't miss the coconut and jackfruit ice puter, ice cream made with coconut milk in a hand-cranked drum. 2 p.m. Ubud is famous for art, which is probably why an awful lot of drek is now on sale. Fear not. For the good stuff, start at the Seniwati Gallery of Art by Women (Jalan Sriwedari 2b, Banjar Taman; 62-361-975485; www.seniwatigallery.com), which Mary Northmore, the British-born wife of Abdul Aziz, a prominent Indonesian artist, founded in 1991 after she was told by several Indonesian art experts that “Balinese women don't paint.” For textiles, stop in at Threads of Life (Jalan Kajeng 24; 62-361-972187; www.threadsoflife.com), which commissions local weavers to make textiles the same ways their grandmothers did, which is to say painstakingly. Even if you're not in the market for a handspun sarong for 4.3 million rupiah, it's well worth the visit. The Basics Cathay Pacific flies from Kennedy Airport to Denpasar, Bali, via Hong Kong. A recent Web search showed fares starting at around $1,500. From Ngurah Rai Airport in Denpasar, a taxi to Ubud costs 150,000 rupiah, or about $16 at 9,270 rupiah to the dollar. Taxis can also be hired for half-days or longer; negotiate a price in advance, but it should run about 350,000 rupiah. Central Ubud can feel like an outdoor mall. If you're on a budget and want rice fields instead of retail, stay south of the Monkey Forest. Alam Shanti and its two sister hotels, Alam Indah and Alam Jiwa are situated along Jalan Nyuh Butan in tranquil Nyuh Kuning village (62-361-974629; www.alamindahbali.com). Rooms are $50 to $175. For luxurious solitude, try the Four Seasons Resort Bali at Sayan (62-361-977577; www.fourseasons.com/sayan/). The hotel was built around a rice paddy, and villas come with private plunge pools. The hotel's Jati (Bahasa for teak) Bar is perched on the edge of the Ayung River and an excellent place for a sunset cocktail. Rooms start at $460. June 19 Closing in on Boeing?Airbus dreams of brighter days ahead
AS BEFITS an event in its back yard, the Paris Air Show has brought good cheer for Airbus. As the show opened on Monday June 18th, the European jetmaker announced a raft of new business. It says it has gathered new or confirmed orders and more tentative commitments for 339 planes with a list price of $45.7 billion, beating previous air-show records. The news brought little more than a disdainful response from Boeing, its arch-rival. The American firm chooses not to save up news of big sales for set-piece events, although it did announce on Tuesday June 19th a deal for 60 planes worth some $8.8 billion. Before that, totting up orders for the year so far, Airbus and Boeing were at roughly the same level of over 400 orders apiece. Airbus, which had slipped behind its transatlantic competitor over the past couple of years, may be starting to catch up again. Not all is rosy for Airbus. The company expects to suffer a loss this year, just as it did in 2006. The main reason for Airbus’s ongoing troubles is also one of the star turns at Paris—the A380 superjumbo. It is destined to become as readily recognisable as Boeing’s hump-backed 747, another plane that saw a far from comfortable birth. Production delays have pushed back its entry into service by two years to October which, along with the strains of the weak dollar, is responsible for Airbus’s losses. Yet Airbus might hope that the worst is over for its 555-seat monster. A clutch of new orders in Paris suggests that the A380 will eventually start to pay. Emirates, a Gulf-based airline and the first to take the plunge with the vast aircraft, has agreed to buy another eight planes. Qatar Airways wants another three. But the delays are hitting Airbus’s bottom line. The European firm admits that it needs to sell more than 420 planes just to break even. So far orders are around 170 and growing slowly. But even Boeing admits that the market for passenger jets with over 400 seats should top 960 over the next 20 years. Just as important to Airbus is the fate of its A350-XWB. This long-haul, wide-bodied jet also caused much grief last year. Customers turned up their noses at its original design. In contrast Boeing’s competitor, the 787 Dreamliner, has grabbed some 660 orders. Airlines wanted Airbus to match the advantages offered by Boeing’s new composite body. This lighter and more rigid material allows a larger fuselage and greater fuel efficiency. But redesigning the plane will cost Airbus some $10 billion. Before Paris, Airbus had managed to extract just a handful of orders for this plane. Now, in a day, it has amassed 127 firm orders and caught the eye of other airlines. Huge discounts must surely have been offered, yet the interest also reflects booming demand for passenger jets. Airbus expects sales of around 22,700 new passenger and freight aircraft up to 2025. Both firms have bulging order books. The 787s ordered today will not start to roll off production lines until 2014, the year that the A350 should enter service, making more of a straight fight for future business. In a periodic plea for more state aid Louis Gallois, Airbus’s boss, says that the firm was in “the worst state it has ever been”. But Airbus is restructuring and may be past its darkest days. Nicolas Sarkozy, the new French president, also seems keen to break the political stalemate with Germany that is hobbling EADS, Airbus’s parent company. Airbus is beginning to copy Boeing’s practice of outsourcing production and sharing risk with partners. The rivalry with Boeing will continue, not least because the strong euro could force Airbus to turn to suppliers in dollar-denominated regions, reigniting political warfare. But another rival may be on the horizon. China’s leading state aerospace firm says that it will bid for six plants that are being auctioned off as part of Airbus’s restructuring. The Chinese firm has also signed important deals with Bombardier, a Canadian company that makes smaller regional jets but could have bigger ambitions. Jim McNerney, Boeing’s boss, admits that “There is room for a third large planemaker in the next two decades,” and that China is the likely source. June 04 Budapest Is Stealing Some of Prague’s SpotlightBy RICK LYMAN
ONLY the barest of murmurs greeted the arrival at the bustling Café Vian of a dozen or so kilt-clad Scots in their late teens and early 20’s and what looked to be their middle-age coach, also in tartan. They ordered a round of vodka shots and erupted in Highland cheers, drawing worried glances from patrons hovering over sweet multicolored cocktails at nearby tables. Finally, the Scots’ skinny young waiter valiantly ordered them to keep it down. “This is not a soccer bar,” he told them. Cultures have been clashing in Budapest for a good many centuries, and usually not to Hungary’s benefit. But through several waves of occupation, tyranny and heroic revolt, it has become one of the few places on earth that have learned the trick of transforming that clash into music. A spectacularly beautiful and subversively lively old royal capital, Budapest has in the last decade or so languished in the shadow of Prague, which emerged more quickly as a tourist destination after the Communist era. Even Arthur Phillips’s best-selling 2002 novel, “Prague,” was actually about expatriates in Budapest dreaming of the higher life across the Czech frontier. But now the foreign investment that only trickled into Budapest in the 1980’s has become a gusher, spilling new and ostentatious hotels, boutiques for luxury brands like Salvatore Ferragamo and Louis Vuitton, teeming pedestrian-only nightlife districts and smoky bars full of satirical and world-weary graffiti. Budapest seems ready to claim the light. For more than a decade — since work-related happenstance led me there — Budapest has been one of my favorite places in Europe. When I first came to know it, the city was still fresh from the Soviet collapse, an eager place full of downtrodden buildings, dingy marketplaces, makeshift nightclubs, gypsy violinists and restaurant after restaurant serving goulash and little else. In Buda, the once aristocratic old capital on the west side, bicycles navigated near-desolate cobbled medieval lanes. Russian caviar and Hungarian foie gras could be had for a song. When a local paper advertised the arrival of a six-month-old Hollywood movie (“Sneakers,” with Robert Redford), I took a rickety trolley to the foot of the Buda Hills and found an old garage with a white sheet hung from the cinderblock wall and a few dozen happy families seated on wooden benches, unpacking dinner. The projector made an awful racket. Everyone had a wonderful time, eating and laughing, and I walked back to my Danube hotel alone through dark Buda streets. When I went back this summer, I found a city very much changed, and not just because the movies are in multiplexes. Budapest, with a population of more than 1.7 million, still has bedraggled and struggling outer districts. But Nagyvasarcsarnok, the Central Market Hall in Pest, is a bright, dynamic place full of paprika, aromatic food stalls and sweet Tokaji wine. Sidewalk cafes are alive with thrift-shop fashionistas, canoodling couples and joyful chatter in a dozen languages. In Buda, tourist buses cluster like seagulls at Castle Hill, discharging sightseers from all over the world. Yes, goulash — that old soupy peasant staple of beef stewed with vegetables and paprika — is still on pretty much every menu, but I also found the world’s cuisines on offer. Where $5 once bought a brick of foie gras big enough to gorge four adults, a few bites in a small appetizer serving now run around triple that. A collision of forces is transforming Budapest into one of the continent’s liveliest, prettiest and most animated capitals. Attractive prices, especially for housing, have set off a mini-invasion of foreigners setting up second homes in the stylish 19th-century apartment blocks of central Pest. Retail chains from around the world have followed, along with the hoteliers and commercial developers. The rush of foreign capital and the rising standard of living for Budapesters lucky enough to catch the wave has helped the city resuscitate many lavish buildings that had fallen into ruin, from the spectacular Secessionist-style Gresham Palace — now a Four Seasons Hotel — to lesser-known gems like the Egyetemi Konyvtar (University Library), a pale yellow confection of wedding-cake swirls, and the stately mirror-image Klotild-Palotak buildings, whose imposing Baroque towers rise like sentries at the foot of the Elizabeth Bridge. “Ten years ago, you’d come to Budapest and it was cheap and a little rough and everything was in cash,” said Colin Burns, who was visiting the city for the fourth time with his Welsh choir group. “Now it’s all cutting edge and credit cards and trendy restaurants. There’s better Italian food here than back in Wales.” There have been missteps. The New York Cafe, long a center of Hungarian intellectual life, was a smoky, murmuring and impossibly grand space where patrons seemed to have stepped from an Eric Ambler thriller. It has become a gaudy patisserie attached to a swank hotel. The huge and hugely popular Westend Center shopping mall is a flavorless glass-and-steel arc of shops wrapping around the back side of Gustav Eiffel’s soaring Nyugati train station. Yet odd, distinct elements speak to the atmosphere of dynamic upheaval. An underground market of cheap clothes and bad CD’s blends seamlessly into the mall above it, asserting an older, Oriental culture that refuses to be drowned entirely by American-style blandness. Big, clanging storefront casinos sit comfortably beside the boutiques and bookstores. A member of the European Union since 2004, Hungary still uses its old currency, the forint, and only its most optimistic economists hope for a conversion to the euro as soon as 2010. Budget deficits are swollen after years of overspending by Hungary’s Socialist government, which was re-elected in April. At the same time, wages are up and the standard of living has noticeably improved, at least for some. Those new luxury boutiques and elegant cafes are not just for foreigners.
MY wife, Barbara, and I divided this trip in half: two nights in Buda, with its domed Habsburg palaces and crenellated fortifications stretching along craggy hilltops west of the Danube, and two in Pest, the more populous 19th-century commercial city of grand boulevards on the flats east of the river. Tourism is on the rise in Hungary, up nearly 7 percent in 2005 over 2004, according to the Hungarian Tourist Office. Yet escaping the crowds is still quite easy. In Buda, while tourists concentrated on Castle Hill, we found everyday life in the sprawling shopping mall and food market near Moscow Square. Perfectly coiffed mothers in blue jeans pushed baby strollers through narrow aisles of peppers and cabbages while older, weary workmen in gray shirts and kerchiefs sipped tumblers of blood-red wine from nearby lunch counters. An elderly woman pushing a metal cart paused to scream at a young couple who had parked their Mercedes convertible illegally. They smiled at her impassively and strode away. Even on Castle Hill, the crowds thin once you get away from Matthias Church, with its architectural elements from the 16th century, when it was a mosque; the 17th, when it grew a Baroque facade; and the 19th, when Gothic design celebrated Habsburg supremacy. A decade ago, I had a memorable meal at the foot of Castle Hill, with strolling gypsy violinists pouring out the Brahms at a place called Kacsa Vendeglo that looked as if it hadn’t changed its menu or decorations since the Great War. On this visit, we found a fresh violinist, still playing Brahms though he had added some Billy Joel and had his CD’s for sale. The tablecloths were white and the menu was still an old-fashioned ramble through Hungary’s familiar dishes, emphasizing duck (kacsa in Hungarian) in a blizzard of forms. The place is decidedly out of step with Budapest’s cutting edge, which leans toward fusion at places with names like Baraka, Kepiro and Voro es Feher Borbar (Red and White Wine Bar). Across the river in Pest, a central pedestrian strip called Vaci utca contained the most wandering foreigners, who were weaving among buskers and trying to remember where their tour buses were parked. Two semicircular boulevards, the Inner Ring and the Outer Ring, end at Danube bridges and define the heart of Pest. Local residents can be found by day in American-style malls along the Outer Ring or in one of the new pedestrian-only shopping areas, echoes of Vaci utca, that are now sprinkled around the city and serve as centers of its street life. One of the biggest, Raday utca, a little east of the Central Market Hall, is five blocks of sidewalk tables, multiethnic restaurants and music-pulsing bars. “We came up from Vienna by boat and just wandered around all day and just found our way here,” said Carlos Hererra, who runs a design store near Los Angeles and was sipping a tall glass of wheat beer one day at a Raday utca cafe. “Just sitting here for an hour, I’ve heard more foreign languages than I heard in three days in Austria or that I ever hear back in Orange County.” Tourists and locals mingle in the Great Market Hall, where shoppers should be prepared to prowl. The price of a 400-gram tin of foie gras ranged from $37 to $45, depending on the stall. On the market’s second level are a series of inexpensive minicafes offering German beer, Hungarian wine and all sorts of sausages, pies, sandwiches and paprika stews. On my early visits to Budapest, I often came across other visitors who had just arrived from Prague or were about to go there. This time, most tourists we met were visiting only Budapest or had arrived from Vienna on one of the Danube cruises now connecting the two old capitals of the Austro-Hungarian Empire. New in the past half-dozen years, the riverboats seemed emblematic — part of Budapest’s shrugging off its midcentury past, when connections were to places like Prague and Krakow, to reflect an older and more durable relationship. One couple we met, travelers from San Diego fresh off a river boat, said they were delighted with Budapest’s street bustle and food — and its prices, significantly lower than those they had found in Vienna. Most cities have different day and night personalities, but the contrast in Budapest seems particularly stark, almost as if an entirely different geography and cast of characters has been imposed upon the place. The Danube comes to life as a kind of a kind of floating smorgasbord of moored barges: one offers jazz dinners, another a pulsing disco, yet another a quiet seafood restaurant. Places like Raday utca and Liszt Ferenc Square, just off the fashionable boulevard of Andrassy, attract crowds that are younger, more chic and louder. Often, a club catering to 20-somethings on the prowl reveals itself down a dark Pest side street with a dim glow from a door opening into a hidden warren of lounge rooms and lantern-lit gardens. For a symbol of how Budapest has changed, an obvious first choice would be Roosevelt Square, at the foot of the Chain Bridge. Previously dominated by hulking old buildings and the state-operated Forum Hotel (now an Inter-Continental), it is now overlooked by the Gresham Palace and a gaudy casino, and it is thick with limos. If you’re looking for the heart of the city today, I’d make a case for sampling Lizst Ferenc Square. That’s where we found Café Vian, in which Budapest’s clashing cultures made a particularly sweet sound. The youthful crowd, hovering over sweet cocktails and yelling to be heard in the din, was flecked with a handful of older faces, mostly fresh from hearing Stravinsky and Gulda at the venerable Zeneakademia a few steps away. The State Opera House was doing Wagner that night, “Die Meistersinger von Nürnberg,” so no telling when that crowd would arrive and what mood they’d be in. Perhaps a generous, $9 plate of chicken paprika or a $7.25 helping of tagliatelle would get their heads out of Wagner and back into Liszt, where they belong. Who knows, they might even share a round with the Scottish soccer team, assuming everyone is still playing nice together. VISITOR INFORMATION HOW TO GET THERE Malev Hungarian Airlines (www.malev.hu) and Delta Airlines offer nonstop flights between New York and Budapest’s Ferihegy Airport. An Internet search for late September found round-trip fares starting around $840. A taxi ride from the airport to central Pest, where most hotels are situated, should run about 4,000 forints, with a small tip, which is about $18 at 220 forints to the dollar. But some drivers might charge closer to 6,000 if you don’t shop around. GETTING AROUND A three-day metro pass (2,500 forints) gives free access to all subway lines and trams. For 6,500 forints, a three-day Budapest Card adds discounts for museums, attractions and restaurants. See www.budapestinfo.hu/en/budapest_card. WHERE TO STAY At the Corinthia Grand Hotel Royal (Erzsebet korut 43-49; 36-1-479-4000; www.corinthiahotels.com), peaked glass roofs enclose once open courtyards around an opulent inner structure. The 414 rooms start at 40,680 forints. Nearby is the Boscolo New York Palace Hotel (Erzsebet korut 9-11; 36-1- 886-6111; www.boscolohotels.com), even more gleaming and gilded than the Corinthia. It has 107 rooms, starting at 50,000 forints. The legendary New York Cafe is adjacent. The city’s premier hotel, the 179-room Four Seasons Gresham Palace on Roosevelt Square (36-1-268-3000; www.fourseasons.com/budapest), is sophisticated and luxe. Rooms start at 87,000 forints. On the Buda side of the Danube, the starkly modern art’otel (Bem rakpart 16-19; 36-1-487-9487, www.artotel.hu ), offers sweeping views of the Chain Bridge and the ornate Parliament building, and is a short walk from Castle Hill. The 164 rooms start at $184, $242 with a river view. WHERE TO EAT Where goulash once ruled all and still makes a pretty good showing even at the fanciest places, Budapest is now home to pretty much all cuisines. One of the earliest harbingers of this trend was Restaurant Lou Lou, a French-leaning bistro unobtrusively nestled at Vigyazo Ferenc utca 4 (36-1-312-4505), on an otherwise unremarkable side street between Roosevelt Square and Parliament. An antique horse perches over the bar; huge mirrors glisten on the salmon walls while spot lighting illuminates individual tables. A foie gras appetizer is 3,200 forints, and scallops and gravlax are 3,300; among main courses, a duck duo is 3,900 forints and sautéed goose liver is 4,100. Yes, there is goulash, for 1,400 forints. Costes, at Raday utca 4 (36-1-219-0696), is one of the nicer places along Raday utca, a bustling pedestrian strip, with a menu that stresses game and includes French, Italian and Hungarian flavors. A game consommé or goulash runs about 890 forints, a rack of venison with wild mushrooms costs 4,590 forints and a monkfish filet perched improbably atop a thick omelet is 4,000. Less than a block away is the louder and more informal Soul Café, Raday utca 11-13 (36-1-217-6986), with all manner of Mediterranean dishes in a California-style setting. A mozzarella and tomato salad is 1,500 forints, asparagus cream soup 913 forints, a Thai cashew chicken only 2,200 and a delicious butterfish in lime sauce over jasmine rice 2,936. Goulash, if you must, is 1,500 forints. For a blast of old Budapest, Kacsa Vendeglo is across the river in the Watertown area of Buda, at Fo utca 75, (36-1-201-9992). The specialty here is duck in many forms — in a strudel, crispy, stuffed with prunes, as a pâté, homestyle, Tisza style, Rozsnyai style or atop mashed apple. If you’re sick of duck, there’s also goose, as well as pike, perch, lobster, chicken and sirloin steak Budapest style. Paprika plays a prominent role. The wandering violinist accepts requests and tips. A particularly pleasant place to begin the day is the Angelika cafe (36-1-212-3784), tucked into one wing of an old church building on Batthyany with a terrace overlooking the river. Inside, the dark rooms are arched and illuminated through stained glass. A café American runs just 400 forints and a fortifying four-egg omelet about 980. WHERE TO DRINK The swank spot is the Gresham Bar, just off the lobby in the Four Seasons Gresham Palace Hotel on Roosevelt Square, just at the Pest foot of the Chain Bridge (36-1-268-3000). The style is international business luxe, and there’s the marble, the dark wood and the recessed lighting to prove it. A glass of palinka, the traditional fruit brandy, is 2,200 forints, and a glass of Calvados 2,400. Good free snacks, though. For a more atmospheric, smoky and downscale alternative, there is West Balkan, a warren of darkly lit rooms at Kisfaludy utca 36 (36-1-371-1807), where a happy crowd lived out its John le Carré fantasies — or maybe that was just me. The Calvados here was 550 forints. Beers, of which there were dozens on offer, averaged around 480 forints. The coffeehouse is also a Budapest staple, beginning with the venerable Café Gerbeaud on Vorosmarty Square in the center of Pest (36-1-429-9000). This 19th-century palace with a huge outdoor patio spilling into the square has been around since 1858 and is famous for its pastries. A chocolate torte is 590 forints and a cappuccino 680. May 25 ICE und TGV zur Premierenfahrt von Frankfurt nach Paris gestartetPremiere für die Deutsche Bahn und die französische SNCF: Am Morgen
ist ein ICE erstmals von Frankfurt nach Paris gestartet. Zeitgleich
rollte ein TGV im Stuttgarter Hauptbahnhof zur Premierenfahrt nach
Paris an. In Frankfurt sprach der deutsche Bahnchef Hartmut Mehdorn von einem "historischen Tag" für die Deutsche Bahn und die SNCF. Die Strecke Frankfurt-Paris sei die Initialzündung, um in Europa grenzüberschreitend mehr Verkehr auf die Schiene und mehr Gäste in die Züge zu bekommen. Der ICE wird für die Fahrt mit einem Spitzentempo von 320 Kilometern pro Stunde nur gut vier statt bislang mehr als sechs Stunden brauchen. Der französische Hochgeschwindigkeitszug TGV rast in knapp vier Stunden über Karlsruhe und Strassburg in die französische Hauptstadt. Auf beiden Strecken beginnt der reguläre Betrieb am 10. Juni. Vom 9. Dezember an wird die Zahl der Verbindungen erweitert. Auch die Schweizer Zugpassagiere werden von der neuen Strecke mit der Höchstgeschwindigkeit von 320 Stundenkilometern profitieren. Ab Basel wird Paris ab 10. Juni in nur 3,5 Stunden erreichbar sein. Basler und Zürcher werden in den Genuss von vier beziehungsweise zwei täglichen Verbindungen kommen. Der TGV Lyria ist zu 25 Prozent in Besitz der SBB und zu 75 Prozent der SNCF. Unklar ist noch, ob die Berner in Zukunft über Basel oder weiterhin über Neuenburg reisen werden. Die Frage hängt von der Anzahl der verfügbaren Sitze in den Zügen ab Basel ab. May 09 Brienz - Rothorn - Brienzer Rothorn Bahn
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Länderinformationen Golf von NeapelGolf von Neapel (Italien) Neapel ist eine Stadt mit einem ganz eigenen, ausgeprägten Charakter und griechischer Prägung. Campania Felix, "glückliches Kampanien", nannten bereits die Römer die Region am Golf von Neapel. Doch die Landschaft hat auch eine düstere Seite: Der Ausbruch des Vesuvs im Jahre 79 n.Chr. kam für die Bewohner der benachbarten Städte Herculaneum und Pompeji vollkommen überraschend. Menschen, Tiere, Häuser und Strassen wurden unter meterdicken Schichten Asche und Lava begraben. Erst 1748 begannen die Archäologen, die Stadt Schicht für Schicht von Asche und Lava zu befreien - heute ist ein einmaliges Zeugnis aus der Antike erhalten. Neapel, die Hauptstadt von Kampanien, ist die drittgrösste Stadt Italiens und wird aufgrund ihrer geschichtlichen Bedeutung, ihrer Tradition und Eleganz als die Hauptstadt Süditaliens betrachtet. Sie wurde schon im 7. Jh. v.Chr. von griechischen Siedlern zu Ehren einer Sirene gegründet. Heute noch kann man im Stadtbild die Spuren der griechischen Vergangenheit in der strengen Strassenführung erkennen. Auch unter der römischen Herrschaft behielt Neapel seine griechische Kultur bei. Die reizvolle Umgebung der Stadt wurde zu dieser Zeit dank des milden Klimas und der landschaftlichen Schönheit als Sommerresidenz von zahlreichen römischen Patrizierfamilien gewählt. Die Pracht und Herrlichkeit dieser Landsitze kann man ebenfalls in den Ruinen von Pompeji bewundern. So leben die Neapolitaner beinahe seit der Gründung ihrer Stadt mit dem Vulkan - der Vesuv ist für die 1,2-Millionen-Metropole eine ständige Bedrohung. Das Bewusstsein um diese ungewisse Zukunft hat den lebensfrohen und sehr temperamentvollen Charakter der Einheimischen geprägt, die aus vollem Herzen jeden Tag geniessen - es könnte der letzte sein. |
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